The good folks at Dorothy labored over a tremendous “Book Map” depicting the settings of some 600 literary works based in London. The books, poems, and essays selected for the map run the gamut from T.S. Eliot’s “The Waste Land” to J.K. Rowling’s Harry Potter series.
The London “Book Map” Has It All
Paula Meehan on Bees and Bonnets
In September of 2013, Paula Meehan was appointed Ireland’s Professor of Poetry, and the transcript from her first lecture is available online [PDF]. You can learn more about Meehan in her interview with the Wake Forest University Press, and you can check out a video of one her readings over here.
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Going Clear
“While guys spent time in these Seg cells calling out chess moves over the walkways or doing push-ups until their veins bulged from their temples, I was in my cell pecking away trying to create a different world for myself. Some kind of way I felt I could rewrite my future.” For The New Yorker‘s Page-Turner blog, Daniel A. Gross tells the story of the Swintec Corporation, the nation’s sole supplier of clear typewriters, whose largest market is prisons. Pair with our own Bill Morris on using his Royal to write.
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Olive Kitteridge on HBO
Soon HBO will have another show based on an acclaimed book in its lineup. Olive Kitteridge, a show based on the Pulitzer Prize-winning novel by Elizabeth Strout, will premiere on November 2nd. You can see the trailer (along with a brief analysis) over at Slate. FYI, Strout wrote a Year in Reading entry for us.
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Sweet peas rejoice!
Dear Sugar is back in action after a few months break from her advice column. And thank heavens, because reading this #LitBeat about an event in her honor over and over just wasn’t cutting it anymore.
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Wilkinson on American Imposters
Millions staff writing appearing elsewhere: At In Character, my essay about Derrick Borte’s The Joneses and the idea of the American impostor (ECW).
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Some doubles adverbial terms
If you happen to be looking for a long essay on peculiar and systematically ambiguous language of contemporary writing on fine art, and it’s strangely anti-local lexicon Triple Canopy’s got just the thing.
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What Seems Obvious Is Often Refuted
A new study indicates that when it comes to National Endowment for the Arts grants, “there is not a disproportionate benefit to wealthy individuals.” In fact, the grants often benefit both the rich and poor alike.
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