The L.A. Times Book Prize finalists for 2013 have been announced. The five finalists in fiction are: Percival Everett’s Percival Everett by Virgil Russell, Claire Messud’s The Woman Upstairs (also see her Year in Reading post), Ruth Ozeki’s A Tale for the Time Being, Susan Steinberg’s Spectacle, and Daniel Woodrell’s The Maid’s Version. The winner will be announced on April 11.
The L.A. Times Book Prize in Fiction Finalists
Marilynne Robinson on The Daily Show
Author Marilynne Robinson appeared on “The Daily Show” Thursday night. No kidding. She talked about Absence of Mind, her new work of nonfiction, about the relationship between science and religion. (via The Observer)
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The AOL Layoff Carnage
At The Awl, a former AOL freelancer reports on the layoff carnage there in the wake of the HuffPo acquisition.
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Borders Officially Closes
The sale of Borders was officially approved yesterday. To make sense of the entire fiasco, Melville House’s Dennis Johnson has a compelling write-up. For most book lovers, their final sale is bittersweet.
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“PV”
After sixteen years of work, Richard Pevear and Larissa Volokhonsky, “the world’s only celebrity translation team,” have finally finished translating all of Tolstoy, ending with last fall’s Hadji Murat. Humanities interviews them, and back in 2009, so did we.
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One Translation To Rule Them All
“Despite a glut of English translations (well over a hundred, by my count),” writes Dante scholar Robert Pogue Harrison, “New versions of the entire [Divine Comedy] poem or individual canticles continue to appear in rapid succession—six in the last decade alone.” Over at the New York Review of Books, he investigates three of the latest: Dan Brown’s Inferno, Mary Jo Bang’s Inferno, and Clive James’s Divine Comedy.
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The Marriage Playlist
What do Talking Heads, The Smiths, Judas Priest, and Blondie have in common? They’re all featured in the playlist Picador made to accompany the paperback release of Jeffrey Eugenides’s latest novel, The Marriage Plot. The Spotify list is chock full of songs “Madeleine, Leonard, and Mitchell might have been listening to in the early 1980s.” You can read Eugenides’s take on the book’s genesis over here, too.
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