The L.A. Times Book Prize finalists for 2013 have been announced. The five finalists in fiction are: Percival Everett’s Percival Everett by Virgil Russell, Claire Messud’s The Woman Upstairs (also see her Year in Reading post), Ruth Ozeki’s A Tale for the Time Being, Susan Steinberg’s Spectacle, and Daniel Woodrell’s The Maid’s Version. The winner will be announced on April 11.
Former Brat Packer Molly Ringwald makes her literary debut with When It Happens to You: A Novel in Stories this week. Also out this week, Where’d You Go, Bernadette by comedy writer turned novelist Maria Semple, The St. Zita Society by Edgar Award-winner Ruth Rendell, and, in non-fiction, Dreamland: Adventures in the Strange Science of Sleep by David K. Randall.
Spooky! The good folks over at The New York Times understand that there is only so much time left to bask in the eerie Halloween vibe, so they’ve put together this helpful list of the latest and best in horror fiction to help you find something suitably scary to read.
“I had put manure bags—yes, manure, which is what we could get—at the front and back doors.” Publishers Weekly looks at how Houston-area indie bookstores are faring post-Harvey.
Add this to the list of incredible things you didn’t know you needed until now. At Quartz, Jenni Avins reads through a selection of hand-typed book reviews, found in the NYPL’s archives, in which librarians tear apart children’s books they find objectionable. Sample quote, from a review of Green Eggs and Ham: “There must be better ways of teaching a child to read than this.”
After waking us up to their favorite Brazilian novelists, the editorial board at Granta is turning its gaze to Norway. In the first issue of Norwegian Granta, you’ll find a slew of stories by illustrious contributors (among them Jennifer Egan, Roberto Bolano and Alice Munro) alongside new stories from authors native to the country. At Granta’s website, you can read an interview with the magazine’s online editor, Ted Hodgkinson.
At Newsweek, Jeremy McCarter reviews The Cross of Redemption, a new anthology of James Baldwin’s previously uncollected essays and public letters: “At a time when serious people claim we live in a ‘post-racial’ society, the reappearance of Baldwin’s writing—insistent, accusatory, outraged—feels like a terrible family secret coming to light in an Ibsen play, or Banquo’s ghost showing up to spoil the party.”