“The first section of the book inevitably ends up taking on a Rashomon-ic quality, as Sotatsu’s father, mother, brother and sister all get their say about what transpired during his time in prison, along with a prison guard who observed him. But [Jesse] Ball doesn’t let them fall into the he said-she said realm of one-note characters — these are fully fleshed-out people, whose thoughts, emotions and agendas are as real (and sometimes as contradictory) as your own.” On Silence Once Begun.
After the sculptor Henri Gaudier-Brzeska died fighting in the trenches, Ezra Pound wrote a book about his work, inspiring a wave of interest that brought the sculptor to prominence. The book came out in 1916, a year after Gaudier-Brzeska’s death, and kicked off a succession of great books that tackle his sculptures. Yasmine Seale writes about their legacy in the LRB.
“Nothing in Born to Run rings to me as unmeant or punch-pulling. If anything, Springsteen wants credit for telling it the way it really is and was. And like a fabled Springsteen concert — always notable for its deck-clearing thoroughness — Born to Run achieves the sensation that all the relevant questions have been answered by the time the lights are turned out.” Richard Ford reviews The Boss’s new book for the New York Times.
“If you lack a competent distributor down here, then consider me at your service. Nothing would make me happier than to drive Salems off the market for good and ever. It’s without a doubt the foulest cigarette in the history of tobacco-addicted man—a tasteless mish-mash of paper and dry weeds.” Boy, Hunter S. Thompson really hated Salems.