Not caught up on the emerging Hermione/Ron scandal? Here’s a recap: a few days ago, J.K. Rowling not only said in an interview conducted by Emma Watson that she regretted pairing up Harry Potter’s best friends, she also said that Harry and Hermione should have ended up together. “[Pairing Hermione and Ron] was a choice I made for very personal reasons, not for reasons of credibility,” she said. “Am I breaking people’s hearts by saying this? I hope not.” (This might be a good time to revisit Michelle Dean on the series.)
“When gender’s not there, it sort of leaves room for us to focus on these other differences—and most of them end up being insignificant, too.” An interview with Emma Ramadan, translator of Anne Garréta’s Sphinx, on writing, translating, and understanding genderless characters.
What does Jonathan Franzen think of the cover for Freedom? What about Charlotte Strick, the book’s designer? Or the photographers that took photos of those trees, of that blue warbler? Talking Covers has collected their thoughts, and plays host to other cover-related conversations besides. Check out this one The Flame Alphabet.
Mark O’Connell’s recent essay in these pages discussed how long, challenging novels can hold you captive (in both the good and bad senses of that phrase). Now, in the Times, Manohla Dargis and A.O. Scott come to the defense of “the slow and the boring” in film, responding Dan Kois’s Times Magazine piece confessing he’s “suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables.”
New this week: God Help the Child by Toni Morrison; The Blondes by Emily Schultz; The Miracle Girl by Andrew Roe; Positive by David Wellington; This Is How It Really Sounds by Stuart Archer Cohen; When the Night Comes by Favel Parrett; Seven Devils by M.G. Miller; and Paris Red by Maureen Gibbon. For more on these and other new titles, check out our Great 2015 Book Preview.