Not caught up on the emerging Hermione/Ron scandal? Here’s a recap: a few days ago, J.K. Rowling not only said in an interview conducted by Emma Watson that she regretted pairing up Harry Potter’s best friends, she also said that Harry and Hermione should have ended up together. “[Pairing Hermione and Ron] was a choice I made for very personal reasons, not for reasons of credibility,” she said. “Am I breaking people’s hearts by saying this? I hope not.” (This might be a good time to revisit Michelle Dean on the series.)
Not a Magical Pairing
Stumped and Delighted
This fantastic essay from The Rumpus argues for the abandonment of realism in American fiction. Charles Finch wrote an essay for The Millions on the truce between realism and fabulism in Gabriel Garcia Marquez’s One Hundred Years of Solitude that pairs quite nicely.
O Canada
We celebrated Canada Day a bit early here yesterday with the news that Alice Munro won the Nobel Prize for Literature and our review of Margaret Atwood’s MaddAddam. So what is Canadian literature exactly? Atwood offered her definition for The Daily Beast: “It’s too multiple [to give a concise definition], but let us say that the point of view (if the writer is not pretending to be American, which they often are) is never that of someone who feels that their country is an imperial power. Because, in fact, Canada is not an imperial power.” You can also see The Handmaid’s Tale at the Royal Winnipeg Ballet next week.
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Recession, Eh? Not Up Here
The oil boom occurring in North Dakota, Montana, and Canada’s Bakken Formation is so frantic right now that ND’s unemployment rate is only 3.4%, the lowest in the nation. “Hiring is so frantic,” writes Business Week‘s Bryan Gruley, “the McDonald’s in Dickinson [North Dakota] is offering $300 signing bonuses.”
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Writing the Godfather of Soul
“Kill ‘Em and Leave is [James] McBride’s own testament to [James] Brown’s philosophy. It’s a stunningly unorthodox book, indifferent to the conventions of biographical nonfiction … The book is a hybrid of forms, largely a telling of Brown’s life story and partly a telling of McBride’s search for that story, with digressions about the author’s own life, essayistic ruminations on Brown and his music, and free, looping riffs that have the energy of improvisation.” On James McBride’s unusual, unorthodox biography of the unusual, unorthodox James Brown.
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“Copywrong”
“At bottom, the argument about copyright is not really a philosophical argument. It’s a battle between interest groups.” Louis Menand writes about American copyright law in the digital age for The New Yorker, and his essay pairs well with the many articles on copyright we’ve published over the years.
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