New releases this week: All Is Forgotten, Nothing Is Lost by Lan Samantha Chang, “a writing-school success story” according to the New York Times in its review, Obama’s Wars, the latest book by legendary reporter Bob Woodward, Listen to This, a collection of essays published by music critic Alex Ross during his 12-year career at The New Yorker, and (almost new) is David Grossman’s To the End of the Land, as reviewed by Rayyan Al-Shawaf for The Millions.
What makes a sentence sad? At The Missouri Review blog, Aaron Gilbreath explores just why certain sentences are depressing — from A.A. Milne's The House at Pooh Corner to James Joyce's "Eveline." "Their emotional impact doesn’t stem solely from the combination of words. The impact often results from the circumstances of readers’ lives." Pair with: Sam Martone's metafictional short story about his grandmothers' deaths, "A Second Attempt," at Pithead Chapel.
The fall issue of Washington Square Review is now available online, featuring new work by Morgan Parker, Ron Padgett, Mariama Lockington, and interviews with Year in Reading alumnus Nick Flynn, Jenny Offill, Jericho Brown, and Henri Cole. Pair with this Millions profile of Flynn.
The recipients of the 2016 Kirkus Prize have been announced, among them the novel The Sport of Kings by C. E. Morgan and In the Darkroom by Susan Faludi, a meditation on her father's gender transition, in the non-fiction category. We reviewed two of the other fiction finalists this year: Carousel Court (here) and The Underground Railroad (here).
E. V. De Cleyre explores the right moment to end a nonfiction story. She writes that life rarely offers conclusions, and “dealing with actual occurrences often means there is no definitive end, and even if there were (such as a death), there comes the aftermath—the grief, the coping, the rebuilding.” Pair with Sonya Chung's Millions essay on literary endings.