Word came out yesterday that Jonathan Galassi and Year in Reading alum Mona Simpson will join the Paris Review editorial board. Former editors both — Galassi edited the magazine’s poetry, while Simpson edited its fiction — the two will join Rose Styron, Jeffrey Eugenides and other notable figures on the board. Simpson also has a new novel coming out in April.
New Paris Review Board Members
The 12th Caine Prize
NoViolet Bulawayo has won the 2011 Caine Prize for African Writing for her story “Hitting Budapest” (pdf).
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Just a Little Sympathy
Recommended Reading: Millions contributor Kaya Genc’s review of The Circle by Dave Eggers. (You could also read our own Lydia Kiesling’s review.)
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Thrill Ride
Stephen King’s next book is a thriller set in a Midwestern town suffering from unemployment. Before this sounds a little too close to home, the synopsis reveals it’s about a retired cop trying to stop a mass murderer. Mr. Mercedes will be out June 3rd. Pair with: Our own Lydia Kiesling’s essay on her love of King novels.
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Borges’ Self-Portrait
Maud Newton posts a self-portrait by Jorge Luis Borges: “When he drew this, because Burt Britton asked him to, Borges was blind.”
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The Dead and the Pre-Dead
“For obit writers, the whole world is necessarily divided into the dead and the pre-dead. That’s all there is.” The Paris Review interviews Margalit Fox, a senior writer for The New York Times, on the complicated art of obituaries.
We’re Going with “Greatest”
“The actress and author of a new children’s book, The Further Tale of Peter Rabbit, has contemplated throwing the writer Michel Houellebecq across a room.” Great NYT subhead or greatest NYT subhead?
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This Is Not a Novel
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
Black on all Sides
“The company has forged a chain uncommon in mainstream publishing: an unbroken line of black women, from the novel’s protagonist, via the author, to the editor, to the art director who created the cover art (featuring a black woman).” Meet the trio of Black women at Kensington Publishing who are changing (modernizing) the traditional lily white romance genre.