Edward Norton has wanted to adapt Jonathan Lethem’s Motherless Brooklyn since it came out, but finding financing was almost as difficult as solving Frank Minna’s murder. Now, Brett Ratner has agreed to fund the film with Norton directing and starring as Lionel Essrog.
It’s a question that puzzles writers of all stripes: why is so much academic writing so terrible? It’s an issue that’s been a lifelong head-scratcher for the linguist Steven Pinker, who set out to answer the question once and for all. His verdict? It has to do with the meaning of “literary style.”
The history behind the iconic Esquire cover that depicts Andy Warhol trapped in a swirling vortex of tomato soup. Before photoshop! I have a reproduction of this particular cover hanging in my kitchen, and I have to tell you that I can’t bear to eat canned Tomato soup at all anymore.
“It’s easy to attribute genius to a dead man, a legendary philanderer, liar and self-mythologizer who died beautiful and curly-haired. But ‘What About This’ is an authentic outpouring like a warm river in full flood; you get swept off the bank and its languid physicality destroys you.” On Frank Stanford’s Collected Poems.
In her scathing, yet utterly necessary, review of Steve Jobs and its subject, Maureen Tkacik writes that “with any luck future generations will saddle Steve Jobs, the brand, with the blemish of all the jobs (small ‘j’) a once-great nation relinquished because of brand-name billionaires like Jobs.”