Draw It With Your Eyes Closed, which has been a fixture on our Top Ten lists of late, has launched a companion website to “expand on the previously published content, allowing a broader range of teachers, students, and artists to access, share, and contribute to the project.”
At The NYT Mag, Virginia Heffernan‘s “Drill, Baby, Drill” explores the possibility that drills and memorization might not be quite as oppressive as some of the kinder, gentler pedagogues of our time suggest and offers a list of aps to help aspiring rote learners (Nota Bene: VerseByHeart).
“I saw it as a breath of fresh dark honest night air. I could live in my grief and be weird in my grief.” A.N. Devers writes about her love of Twin Peaks for Longreads, situating the show within her contemporary experiences of losing her grandparents and her girlhood.
On his podcast, David Naimon spoke with poet Morgan Parker about her new collection, There Are More Beautiful Things Than Beyoncé. It’s a book “at the intersections of mythology and sorrow, of vulnerability and posturing, of desire and disgust, of tragedy and excellence,” Naimon says. (Bonus: Parker’s book was recently featured in Nick Ripatrazone’s list of five poetry collections you should buy.)
“Most of the time I think of the self as a snare, and I don’t like being trapped in it. I try to reach out beyond my pittance of experience and connect to the world, but it turns out one way to do that is to be honest and accurate about my own life.” Leslie Jamison interviews Charles D’Ambrosio for The New Yorker. Pair with our own Hannah Gersen‘s review of D’Ambrosio’s Loitering.