We thought we had a better chance of seeing Odin than Neil Gaiman’s American Gods on TV, but after the HBO deal fell through, the novel is finally being adapted for the small screen by FremantleMedia. Bonus: Gaiman’s Anansi Boys is also being adapted into a BBC miniseries by RED. To brush up on Gaiman’s interest in mythology, read our review of The Ocean at the End of the Lane.
Amazon has refreshed its line of Kindles once again. The price point on a basic version that utilizes Wi-Fi has dropped way down to $139. Opt for the 3G version and the price is $189. The device now boasts better contrast, less glare in sunlight, and it now comes in a new color: “graphite.”
In the Times, Jennifer Schuessler reviews Ishmael Beah’s new novel, Radiance of Tomorrow, which takes place in the same war-ravaged setting as the author’s 2007 memoir. Schuessler writes that Beah “delivers a glimpse of the hardships of postwar Sierra Leone along with strong and repeated assurances about the redemptive powers of stories themselves.”
Charles Yu’s new collection of stories, Sorry Please Thank You, is out today, and so is Tana French’s novel Broken Harbor. Both were on our Great Second Half of 2012 Books Preview. Leigh Stein’s new book of poems, Dispatch from the Future is also in stores today, alongside Ali Smith’s There But For The in paperback.
In a longform piece for The Atlantic Diane Saverin writes about Annie Dillard‘s Pilgrim at Tinker Creek, the predominantly male tradition of wilderness-writing, and how Dillard found and wrote about the wild while living in suburbia. She also wrestles with the question: “if the author conveys a resonant truth, does it matter what experiences led to the realizations?”
New Directions announced they will publish Irish author Keith Ridgway’s novel, Hawthorn & Child, which was originally published by Granta books in 2012. Look out for the book this September. As a way to entice prospective readers, Tom Roberge does not mince words. “This is absolutely a New Directions book, and we think those of you who’ve fallen in love with Javier Marías or Roberto Bolaño or László Krasznahorkai as much as we did will agree,” Roberge writes.
As the lone mental hospital in The Magic Mountain referred to by its real name, the Hotel Schatzalp is a holy site for many Thomas Mann scholars and fans. At Page-Turner, Sally McGrane writes about the modern hotel, which employs a staff trained to deal with the occasional “literary fanatic.” (It also might be a good time to read Matthew Gallaway on Death in Venice.)