Gaiman TV

"I will tell them one of the greatest, perhaps the greatest story of all — the story of good and evil, of strength and weakness, of love and hate, of beauty and ugliness. I shall try to demonstrate to them how these doubles are inseparable — how neither can exist without the other and how out of their groupings creativeness is born." John Steinbeck, American literary titan and author of The Grapes of Wrath, certainly knew a thing or two about creativity.

“In Rilke’s essay on Auguste Rodin, written in the same year, he describes the sculptor’s visits to the Jardin des Plantes early in the morning to sketch the sleepy animals. And later on, in Rodin’s studio on the Rue de l’Université, he observes a tiny plaster cast of an antique tiger that Rodin treasured: ‘There is a cast of a panther, of Greek workmanship, hardly as big as a hand…. If you look from the front under its body into the space formed by the four powerful soft paws, you seem to be looking into the depths of an Indian stone temple; so huge and all-inclusive does this work become.’” Henri Cole on the poet and a place that inspired his work.

Few things are more individual than your feelings about e-books. Dustin Illingworth can’t stand them -- as he puts it, “books are meant to be handled and smelled.” At Full-Stop, he writes about what this preference reveals about himself. You could also read our tribute to e-book pioneer Michael Hart.

What can we learn from anachronisms? That mistakes are "ultimately unavoidable – the best you can hope for is to keep them to a minimum and noticeable only by a tiny coterie of demanding experts" - and that if those mistakes are big enough, they can eventually turn into "enduring ideological constructs."

Boston Review’s Paula M.L. Moya did a two part interview with Junot Díaz, and the world is now a better place because of it.