The Corrections might never make it to screen, but Jonathan Franzen’s New Yorker essay on songbird poaching, “Emptying the Skies” (behind the paywall), is already a documentary. The film follows a group of bird lovers trying to save the endangered animals and even includes an interview with Franzen. Although the documentary just found a distributor, there is no word on an official release date. Until then, here’s the trailer.
New this week: And the Mountains Echoed by Khaled Hosseini; The Redeemer, a new Harry Hole novel from Jo Nesbø (see our interview); and Abigail Tarttelin’s debut novel Golden Boy. Also out: The Fall of Arthur, J.R.R. Tolkien’s epic poem, and George Packer’s The Unwinding.
Sloane Crosley, this year’s editor of The Best American Travel Writing, out today, wrote some key travel tips for those who are vain, budget-conscious, and notoriously lazy.
“‘There is almost no work, within the vast range of literature and science,’ [Thomas Jefferson] wrote in an 1874 report, ‘which may not at some time prove useful to the legislature of a great nation.’ Thus the Library Of Congress’s mandate expanded: it would acquire anything and everything of importance … By the late 19th century, the LOC had become a kind of national brain trust, a heritage of information that aspired to timelessness.” This piece on the Library of Congress and its internet progress (or lack thereof) is fascinating and thorough. Go and spend some time with the digital archive, there are only around seven million gigabytes of information for you to thumb through.
“Who am I in the face of the Universe if not just a bro who wants to get stuff done?” Tim Goessling tried living a day according to Benjamin Franklin’s schedule listed in The Autobiography of Benjamin Franklin. What was his biggest takeaway? We should self-evaluate and set goals more.
With the help of the folks at Ploughshares and Medium, Year in Reading alumna Megan Mayhew Bergman is publishing a Choose-Your-Own-Adventure literary short story. To participate, read the first chapter (as well as the introduction) online, then tweet Bergman to tell her where the story should go from there.