We already knew that Haruki Murakami was a writer and runner but a former jazz club owner, too? Aaron Gilbreath visited Murakami’s 1970s jazz club, Peter Cat, and found “a drab three-story cement building. Outside, a first-floor, a restaurant had set up a sampuru display of plastic foods.” For more Murakami, read our review of 1Q84.
Finding Peter Cat
First Murakami Collection in Almost A Decade
Haruki Murakami will publish his first short story collection in nine years this spring. Men Without Women will feature five previously published stories (including the controversial “Drive My Car”) and one new story. The book comes out in Japan in April, but there is no word on when we’ll see an English translation.
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Make Way for Ward
Jesmyn Ward signed a deal for two books with Simon & Schuster: one adult novel with Scribner and the other a middle-grade novel with Caitlyn Dlouhy Books, according to Publisher’s Weekly. From our archives: Ward’s 2017 Year in Reading entry and our interview with the two-time National Book Award winner.
Voracious Reading
Are you the type of reader who craves the food described in novels like our own Nick Moran? Then take The Guardian’s “Food in fiction” quiz. Sample question: “According to the Queen of Hearts in Alice in Wonderland, what kind of food is eaten tomorrow, yesterday, but never today?”
Sound-Word Index: Say What You Really Feel
Emoticons are unbelievably passé, right? And GIFs are just too much work, right? It’s time to better utilize our technological advancements. Behold The Sound-Word Index, a project by Blanche de Lasa, Stina Gromark, and James Godwin that can use “sound, volume and rhythm” to “help to translate our emotions hidden behind our screens.”
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Invisible Together
“It was a remarkable scene, to witness young people collectively shatter one another’s sense of social isolation.” Clint Smith for The New Yorker‘s Page-Turner blog about teaching Invisible Man to a high school class full of undocumented immigrants.
Sticks and Stones
As a child, Xiaolu Guo hunted birds and toads to survive. Now, as a writer in Britain, she’s written a memoir about her difficult childhood, which you can read more about in this review in The New Statesman. Sample quote: “Perhaps it is no coincidence that the reason that Guo gives for deciding to write in English is to be free of Chinese government censorship, a process that she describes as the wearing down of a rock’s sharp edges to a smooth pebble.”