Chimamanda Ngozi Adichie is almost as famous for being sampled on Beyoncé’s latest album as she is for her novel Americanah. With that in mind, she discussed her writing process, hair blogs, and what feminism means to her in Elle. “It means that I am present in the world, and that I realize that there is a problem with the way we’ve constructed gender,” she said. For more Adichie, read her 2013 Year in Reading post.
Feminist Fiction
Shattering the Short Story
Recommended Reading: Bailey Lewis’s short story at Paper Darts “When the South Wind Blows Glass Shatters and Disappears Like Rain.” “A young girl’s body hurtles through a stationery store window at top speed.”
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He’s on the Fence
On Wednesday, the BBC Radio 4 program Four Thought broadcasted an essay by our own Mark O’Connell that lays out a novel argument: we should embrace the value of ambivalence. (We’re not sure how to feel about that.)
“I have no taste for self-revelation”
In 1970, a journalist named Joseph Epstein wrote an essay for Harper’s that came to a frightening conclusion: that Epstein would, if possible, “wish homosexuality off the face of the Earth.” The incendiary language inspired Merle Miller, a former editor at the magazine, to publish a call-to-arms, “What It Means to Be a Homosexual,” that became the basis of the book On Being Different. Emily Greenhouse puts the essay in context at Page-Turner.
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New Miéville Fiction
There’s new fiction from China Miéville up at Tor. Miéville’s been a Millions darling for quite some time now, as these two pieces from Bill Morris can attest.
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Jesse Ball in Guernica Magazine
Guernica is running Pieter Emily, Jesse Ball’s newest work, in three installments over the next six weeks. The first installment is now available.
Out of Copyright, Into Chaos
Eric Bulson remarks on the expiration of the European copyright in James Joyce’s oeuvre. The “vast sea of Joyceana,” Bulson writes, “will … have the effect of flooding the market, making it even more difficult for readers to decide which edition to buy.” Meanwhile in Japan, writes Dustin Kurtz, “an expansive and anticipated group” of writers will have their work enter the public domain this year.
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