Chimamanda Ngozi Adichie is almost as famous for being sampled on Beyoncé’s latest album as she is for her novel Americanah. With that in mind, she discussed her writing process, hair blogs, and what feminism means to her in Elle. “It means that I am present in the world, and that I realize that there is a problem with the way we’ve constructed gender,” she said. For more Adichie, read her 2013 Year in Reading post.
Alice Driver writes for Vela about growing up in Arkansas and becoming an artist. As she explains it, “Because I have no debt, I have been able to pursue writing and have had the opportunity to fail time and again.” Pair with Kate Angus’s Millions essay on making a living as a poet.
If you didn’t make it to BEA this year, first be thankful that you didn’t have to eat any of the food around the Javits Center. Then, check out some of the highlights from the comfort of your desk chair. I recommend Ami Greko and Ryan Chapman’s perennially excellent 7x20x21 panel, which this year featured Nate Silver, Dan Wilbur, and Sheila Heti among others.
“Per one estimate, 96 of the 154 sonnets credited to Shakespeare contain rhymes that have since been lost to linguistic history.” The Atlantic writes on why we should be laughing more when we read Shakespeare. If you’d prefer to revere him, here’s a piece on Shakespeare as God.
“Should we understand a photographic document as being first and foremost an artifact of memory, a light-written ghost? Or is it more important to stress its status as a material thing created from pigment, silver, emulsion, paper, plastic, glass, silicon sensors, pulses of electricity? Or is the photograph primarily an opportunity to take or make, an arena for a special type of action?” On Polaroids, instantaneous photography, and memory over at The Nation.