“All of my life, I’ve lived by your rules but not anymore.” The final trailer for Divergent is out. The film comes out March 21, so you have plenty of time to catch up. Allegiant was one of the best YA novels of 2013.
Our love of The Atlantic's By Heart series continues with Azar Nafisi's contribution to the series: an essay on reading James Baldwin, the importance of literature to democracy, and how ultimately "we need literature to remind us how like each other we are, despite our differences." Pair with Justin Campbell's Millions essay on race, fatherhood and reading Baldwin.
New this week: A Cure for Suicide by Jesse Ball; Lovers on All Saints’ Day by Juan Gabriel Vásquez; The Kindness by Polly Samson; a new book of correspondence between Allen Ginsberg and Lawrence Ferlinghetti; and Apollo in the Grass by the Russian poet Aleksandr Kushner. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
It's fitting in a weird sort of way that this article, which illustrates the unravelling of Truman Capote’s career, has quotes from two characters named Slim Keith and Babe Paley. Back in 1988, Gerald Clarke covered the story from a slightly different angle.
Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
A collection of striking photos of numerous well-known contemporary writers, in two galleries. Somehow these pictures exude the literary.Blogger lonelysandwich makes the only half toungue-in-cheek observation that the original cover of tennis fan David Foster Wallace's Infinite Jest shares a color scheme with those Andre Agassi Nikes that were all the rage in the early '90s.George Saunders appeared on Letterman last week, as you may have heard. onegoodmove put the clip online.
"But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief." The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don't Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.