“All of my life, I’ve lived by your rules but not anymore.” The final trailer for Divergent is out. The film comes out March 21, so you have plenty of time to catch up. Allegiant was one of the best YA novels of 2013.
Probably the biggest literary debut the week is Arthur Phillips' The Tragedy of Arthur, a faux memoir about the surfacing of a long-lost Shakespeare play. Also out this week is the first book from former Soft Skull head Richard Nash's new venture Red Lemonade: Lynne Tillman's Someday This Will Be Funny. And, finally, now out in paperback is Aimee Bender's The Particular Sadness of Lemon Cake. (Our two reviews)
"When I want to be ambushed, captured, thrust into a strange and vivid world, and tossed aloft until I cannot stand it, until everything is at stake and life feels almost unbearably vivid, I do something simple. I read short stories." Electric Literature has posted Ben Marcus's "paean to the contemporary American short story," which doubles as the introduction to New American Stories and does a pretty good job of capturing just what it is we love about reading fiction.
"To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don’t bother me as much." The Atlantic talks with N.K. Jemisin, the first black writer to win speculative fiction's Hugo Award for Best Novel for The Fifth Season. We wrote about Jemisin's work when she was nominated for the Hugos a few years back.
“A couple of years ago I attended a British Council discussion about the state of contemporary writing and the creative future in Nigeria, Africa’s most populous nation. When someone brought up the dearth of memoirs in the Nigerian literary landscape, almost everyone in the room laughed ruefully. Someone joked aloud, ‘We can’t write memoirs. We’d have to wait for parents to die. Not just parents – everyone who knows us, even!’ This concern is not limited to nonfiction.” Bim Adewunmi writes for BuzzFeed on African immigrants’ stories.