“Language starts to shut down the strength and power and strangeness of what it means to be a person in the world.” At The Rumpus, Ben Marcus discusses how he uses language in his writing and his new short story collection, Leaving the Sea (featured in our 2014 book preview.) Pair with: Our own Adam Boretz’s interview with Marcus and our review of The Flame Alphabet.
Ben Marcus’s Language
Scenes from a Marriage
Recommended Reading: Year in Reading alumna Emily Gould revisits Chris Kraus’s “cult feminist classic” I Love Dick, as it appears for the first time in the UK.
The Paris Review and McSweeney’s Collaborate on a Dual Deal
All month long, The Paris Review and McSweeney’s are offering a special dual deal in which you can order year-long subscriptions to both magazines for 20% off of their individual rates.
Going In
In 2012, the Portuguese writer José Luís Peixoto, on the occasion of Kim Il-Sung’s 100th birthday, went to North Korea for a fifteen-day trip. The experience led him to write a travel memoir, Inside the Secret, which you can read in serialized form online at Ninth Letter magazine. You could also read Pulitzer laureate Adam Johnson’s new Granta essay about the country.
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V. I. G.
A V.I.G. (very important garment) will be making its way to the U.S. this August. Pride and Prejudice fans can now see the shirt Colin Firth wore as Mr. Darcy in the exhibition “Will & Jane: Shakespeare, Austen, and the Cult of Celebrity.” We rewrote the title of Pride and Prejudice and other books as clickbait. You should definitely read it.
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Once Upon a Time In Japan
You will not want to miss this possibly true ghost story from David Mitchell over at LitHub. This piece comes from the first installment of Freeman’s, which is out now, and which includes such fantastic writers as Mitchell, Haruki Murakami, and Louise Erdrich.
A Conceit with No Conscience
“[L]ike many, many other rules in the English language, it turns out this one is built on a foundation of lies.” That whole ‘i before e, except after c rule? Bunk. Which you would already know, if you were a true spelling bee hopeful.
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To Paraphrase Potter Stewart
“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen’s Little Labors.
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