Out this week: Andrew’s Brain by E.L. Doctorow; Perfect by Rachel Joyce; A Highly Unlikely Scenario by Rachel Cantor; Selected Letters of Robert Creeley; The Visionist by Rachel Urquhart; and new paperback editions of Karen Russell’s Vampires in the Lemon Grove, Kurt Vonnegut’s Letters and Year in Reading favorite Rachel Kushner’s The Flamethrowers.
All of us have particular words that we use a little too often. Writers tend to be embarrassed about their predilections for certain turns of phrase. At Slate, Matthew J.X. Malady reacts to the news that he uses iteration too much, and delves into the ways our verbal habits spread to others.
“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky’s eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.
Still haven’t read our own Edan Lepucki’s Colbert-endorsed novel California? Here’s another review to whet your appetite. In the latest Kenyon Review, John Domini writes that “Lepucki, however, not only upends expectation, but also parses out a few good surprises.”
This is an interview in which five-year-old Desmond and eight-year-old Everett ask some hard-hitting questions of M. Quint regarding her new book The Defiant, and in which Jonathan Lethem makes a brief cameo to helpfully facilitate the discussion–do you need any more reason to read this piece? Here’s a quick hit from C. Max Magee, creator of The Millions, on giving the classics to kids.
Martin Connelly takes a look at The International Cryptozoology Museum, which is run by Loren Coleman up in Portland, Maine. If you can’t make the pilgrimage yourself (or if you’re just put off by chupacabra taxidermy), you can also get a feel for the study of far out beasts by reading Coleman’s “genre-defining” book, Cryptozoology A to Z.