Out this week: Silence Once Begun by Jesse Ball; Dept. of Speculation by Jenny Offill; This Dark Road to Mercy by Wiley Cash; The Last Enchantments by Millions contributor Charles Finch; My Life in Middlemarch by New Yorker staff writer (and Millions interviewee) Rebecca Mead; and Still Life with Bread Crumbs by Anna Quindlen. For more on these and other new titles, check out our Great 2014 Book Preview.
Tuesday New Release Day: Ball; Offill; Cash; Finch; Quindlen
I Can’t Read
If you’re like this writer, you’ve read enough by now about the scourge of writer’s block. The literature on authors having trouble producing literature is enough to sustain a whole genre by itself. Which is why it’s refreshing to read this article, which tackles another problem: the vexing, peculiar strain of overload known as reader’s block.
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#OccupyGaddis
Over at the LARB blog, Lee Konstantinou is heading up a summer reading group for William Gaddis’s J R. To participate, just tag your tweets or Tumblr posts #OccupyGaddis.
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Hot Air
The unwritten rules of steampunk declare that in every steampunk story, the Hindenburg never caught fire, the world never lost its desire for blimp travel and the skies are dotted with hot air balloons and zeppelins. As it happens, this element of the genre stems from old utopian narratives, many of which depicted a future of widespread balloon travel. At Salon, Kyle Minor reviews the audiobook of a new history of the hot air balloon, written by Richard Holmes, that shows how the rise of air travel changed the world’s imaginative territory.
Tuesday New Release Day: Murphy, Scocca, Schulman, Whitehouse
New this week: Yannick Murphy’s latest novel The Call is out this week, as is Tom Scocca’s chronicle of expat life, Beijing Welcomes You (Both are written up in our big second-half preview). Also arriving is a new novel from Helen Schulman, This Beautiful Life, and Bed, the debut effort of David Whitehouse, which has already been a (minor) prizewinner in the UK, and which the publisher compares to A Confederacy of Dunces.
Culture Club
Fifty years ago, the New York Review of Books published their first issue.
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Vocal Harmony
At the LARB, Len Gutkin interviews Year in Reading alumnus William H. Gass, whose new novel, Middle C, incorporates techniques of twelve-tone composition. (In case you missed it, I wrote about the book a few weeks ago.)
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Crystallized Political Commitments
“Elizabeth Hardwick, a formidable feminist in a different key, declared, ‘I don’t know what happened. She got swept too far. She deliberately made herself ugly and wrote those extreme and ridiculous poems.’” On the (difficult) art and activism of Adrienne Rich.