Out this week: Silence Once Begun by Jesse Ball; Dept. of Speculation by Jenny Offill; This Dark Road to Mercy by Wiley Cash; The Last Enchantments by Millions contributor Charles Finch; My Life in Middlemarch by New Yorker staff writer (and Millions interviewee) Rebecca Mead; and Still Life with Bread Crumbs by Anna Quindlen. For more on these and other new titles, check out our Great 2014 Book Preview.
“Tom Stoppard isn't shy about tackling literary giants. The British playwright has rewritten Hamlet for the stage and recently turned Tolstoy's Anna Karenina into a Hollywood feature. But he struggled with a television adaptation of Ford Madox Ford's sprawling modernist masterpiece Parade's End.”
Lucy Madison asks how the 25 National Magazine Award nominations went to 25 male writers and discovers it may be because fewer women write long-form journalism, “particularly at those publications that tend to get nominated for National Magazine Awards.”
Just in time for Mother's Day: whiz-kid chef (and friend of The Millions) Barton Seaver has just published his first book, For Cod and Country: Simple, Delicious, Sustainable Cooking. Bon appetit, Mom!
“Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can’t do that because you sort of know what’s going to happen. Because you’re the character.” – Gary Shteyngart
"And so the book we have available to us is not the one she intended for us to see — and to those who knew her only as the private spouse of a public figure, Michelle McNamara emerges from these pages as much of a mystery as the Golden State Killer does, gone in the dark." In Vulture, a profile of the late true crime writer Michelle McNamara whose book, I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer, was published last week. From our archives: an essay on why one writer reads true crime novels.