All of Faulkner’s characters exist in the same county, so they probably ran into each other. What if there were a Real Housewives of Yoknapatawpha County? Nathan Pensky humorously imagines the feuds between As I Lay Dying’s Addie Bundren and the protagonist of “A Rose for Emily” among others at McSweeney’s.
“After breaking down the data by neighborhood and age group, it became clear: Children’s books are a rarity in high-poverty urban communities. The likelihood that a parent could find a book for purchase in these areas ‘is very slim.’” On book deserts across America.
“I have learned to consume them in secret, in my own home, reading them the way you would eat a bag of M&M’s that you keep stashed behind the kale chips.” Jake Tobin Garrett for Electric Literature about the allure of self-help books. See also:“Unleashing the Essence of Self-Help Books in Three Simple Steps.”
Michael Chabon’s Telegraph Avenue (as seen in our Book Preview; and excerpted here) is due to hit shelves early September, and everybody seems pretty excited about it. How excited? Well, the book will come with an “enhanced e-book” replete with multimedia features, and the publishers have also decided to create a pop-up version of Brokeland Records, one of the novel’s main settings.
It’s a common trope in writing courses that young artists need a dose of childlike creativity. Self-help books for people with writer’s block are filled with callbacks to childhood interests. But is it possible, as Tasha Golden argues at the Ploughshares blog, that idealizing children isn’t the answer to our problems?
Emily Smith discusses the place of zines in contemporary American politics, over at Ploughshares. As she puts it, “Zines, like street art, are allowed critical power through anonymity—a function newsstand periodicals simply can’t perform for the sake of reputation or the sacrifice of advertisers. In this way, zines are small-scale democracies.”