As if you weren’t in love with Augustus Waters already, the first official trailer from The Fault in Our Stars film is out, and Ansel Elgort is quite the charmer. The film releases on June 6th, but if you still haven’t read the book, here’s our own Janet Potter’s review.
John Jeremiah Sullivan writes about heritage, history, literature, and the Emerald Isle in this piece for The New York Times Magazine, “My Debt to Ireland.” In the essay, Sullivan talks about the Aran Islands, and in particular Dún Aonghasa. On our Tumblr, I’ve shared some photos I took at the place.
New this week: The Good Lord Bird by James McBride; Night Film by Marisha Pessl; The Twelve Rooms of the Nile by Enid Shomer; The Daughters of Mars by Thomas Keneally; and Holy Orders, a new Quirke novel by John Banville/Benjamin Black. For more on these and other upcoming releases, check out our Great 2013 Second-Half Book Preview.
The last of the World Cup qualifying matches wrapped up this week and the final list of qualified teams is in. See the list of the 32 qualified national teams headed for South Africa in 2010 here.
Joel Rice has a new column up at McSweeney’s, in which he looks at “the literature of skateboarding.” All in all, this kind of reflective writing should pair nicely with Nick Courage’s fantastic Paris Review piece from last month. (Bonus: Rice’s column linked above also features a nice little bit of David Foster Wallace memorabilia.)
French-Canadian writers are in an odd place when it comes to Canadian literature. By the official definition of CanLit, they’re part of the canon, yet because of the Quebecois language barrier, they maintain a certain distance from the literature of English Canada. At Page-Turner, Pasha Malla writes about their odd identity. You could also read Andrew Saikali on Canadian novellas.
Three cheers to the return of storied magazines! This month, The Baffler and Collier’s made triumphant returns after lulls of 2 and 55 years, respectively. Meanwhile, over at Johns Hopkins Magazine, Paris Review editor Lorin Stein explains why “literary magazines still matter.” And, if you know anyone with some extra cash, they could become the next owner of Variety.