As if you weren’t in love with Augustus Waters already, the first official trailer from The Fault in Our Stars film is out, and Ansel Elgort is quite the charmer. The film releases on June 6th, but if you still haven’t read the book, here’s our own Janet Potter’s review.
The New York Times best-selling author Malcolm Gladwell recognizes that printed books can be beautiful, covetable objects that enhance the experience of reading. He hired Brian Rea, a frequent Times Magazine illustrator, and Paul Sahre, a designer who also frequently contributes to the magazine, to collaborate on the visuals for a new box set, Malcolm Gladwell: Collected.
Self-published novelist Kemble Scott debuts at no. 5 on the San Francisco Chronicle’s bestseller list with The Sower, following a limited hard-cover release to Bay Area independent booksellers by Numina Press, who acquired the book after Scott’s initial e-book upload to scribd.com in May. According to Publisher’s Weekly, “The Sower has had one of the most unorthodox publishing trajectories in these changing publishing times.”
“He says you should choose a book narrated by a person of the same gender as their primary master, played at average volume on an in-home listening device such as the Alexa-driven Echo device.” Cesar Milan is curating a list of titles for Amazon’s new Audible for Dogs initiative, reports USA Today. On the list so far: Pride and Prejudice, The Wind in the Willows, and Trevor Noah’s Born a Crime: Stories from a South African Childhood (via Book Riot).
“This year wasn’t short on the best kind of book: the type that polarizes opinion.” The New Republic reviews the most divisive books of the year. Included is our own Garth Risk Hallberg’s City on Fire. Check out opening lines from the story and an interview with the author.
Eric Bulson remarks on the expiration of the European copyright in James Joyce’s oeuvre. The “vast sea of Joyceana,” Bulson writes, “will … have the effect of flooding the market, making it even more difficult for readers to decide which edition to buy.” Meanwhile in Japan, writes Dustin Kurtz, “an expansive and anticipated group” of writers will have their work enter the public domain this year.