As if you weren’t in love with Augustus Waters already, the first official trailer from The Fault in Our Stars film is out, and Ansel Elgort is quite the charmer. The film releases on June 6th, but if you still haven’t read the book, here’s our own Janet Potter’s review.
“Storytelling is an indispensable human preoccupation, as important to us all—almost—as breathing. From the mythical campfire tale to its explosion in the post-television age, it dominates our lives. It behooves us then to try and understand it.” On the inherent sameness of stories with John Yorke from The Atlantic.
New this week: The Brunist Day of Wrath by Robert Coover; Frog Music by Emma Donoghue; Off Course by Michelle Huneven; And the Dark Sacred Night by Julia Glass; Worst. Person. Ever. by Douglas Coupland; The Ballad of a Small Player by Lawrence Osborne; Love & Treasure by Ayelet Waldman; and The Empathy Exams by Leslie Jamison. For more on these and other new titles, go read our Great 2014 Book Preview.
Best selling author Elena Ferrante will be a new weekend columnist for the Guardian magazine. Why did she decide to go this route in addition to writing a screenplay? Read her reasoning and pair with this essay on reading Italy through Ferrante’s work.
“I can tell you that it was his agent who thought it was a bad idea, when the book was first published, to have a black hero.” Roald Dahl‘s widow says that he intended for the eponymous hero of Charlie and the Chocolate Factory to be “a little black boy.” Pair with our own Jacob Lambert‘s fond recollection of reading Dahl to his son.
“No novel gets uniformly enthusiastic reviews, but the polarized responses to The Goldfinch lead to the long-debated questions: What makes a work literature, and who gets to decide?” Vanity Fair has big questions and lots of opinions about Donna Tartt‘s latest novel, which we’ve covered pretty extensively ourselves.