“A story works when there’s momentum, life behind the words,” Mary Miller told Matthew Salesses at The Rumpus. She needs that momentum for her new novel, The Last Days of California, about a family driving to California for the rapture. Also, Amy Butcher wrote about her favorite Millerisms at Hobart.
Keeping the Pace
Let the Wild Rumpus Begin
Dave Eggers shares the skinny on his forthcoming Where the Wild Things Are project – including an excerpt of the novel and the killer trailer for the movie version – with The New Yorker.
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Mai Al-Nakib and the Power of Not Belonging
Mai Al-Nakib discusses her novel, An Unlasting Home, a family saga that follows generations of women across Kuwait, the U.S., and India.
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What Happens at Pogofest Stays at Pogofest
“Wasn’t Pogofest the type of idea barely solvent towns pay marketing consultants millions of dollars to avoid? Who was Pogofest supposed to appeal to, besides—thirty years after the fact—me? I pose the question to Janice Parks, a former city commissioner. ‘Well, look what a rat did for the wasteland of Central California,’ she says.” A bizarre, slightly surreal look at Waycross, Georgia — the self-proclaimed hometown of Pogo Possum.
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There Once Was an Astronaut from Nantucket
Forget learning how to fly, better practice your haiku and limerick writing skills. NASA applicants are asked to write a tweet, limerick or haiku. Is Colonel Chris Hadfield to blame?
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Perpetua
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.
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Unbreakable
Recommended reading: Wil S. Hylton profiles Laura Hillenbrand and the effects of chronic fatigue syndrome on her writing in a piece for The New York Times Magazine, just in time for the release of the film adaptation of Unbroken.
“Bleeding beautiful streams”
“It’s easy to attribute genius to a dead man, a legendary philanderer, liar and self-mythologizer who died beautiful and curly-haired. But ‘What About This’ is an authentic outpouring like a warm river in full flood; you get swept off the bank and its languid physicality destroys you.” On Frank Stanford’s Collected Poems.