Why are Americans so enamored by immigrant fiction but rarely read anything in translation? David Naimon and Gary Shteyngart discuss this and more in the latest Between The Covers podcast. Shteyngart’s latest book, Little Failure, was part of our 2014 book preview.
Immigrant Song
The YOLO Pages
This month, Boost House is publishing what the New Yorker describes as “the first English-language paperbound anthology of Alt Lit and its siblings weird Twitter … and Flarf.” The collection – The YOLO Pages – features work by Steve Roggenbuck, Tao Lin, Patricia Lockwood, and (of course) @Horse_ebooks among others. But far from being a compendium of “vomit jokes and image macros of cats,” writes Kenneth Goldsmith, the book also contains poems “that obliquely grapple with bigger issues of morality, politics, feminism, capitalism, and the environment.”
Imagination, Memory, a Dictionary
Would Vladimir Nabokov have considered you a good reader? Take this little quiz and find out for yourself. Then, allow Garth Risk Hallberg to explain to you why Nabokov’s Ada, or Ardor: A Family Chronicle is difficult, but well worth the effort.
●
●
So What? He Says
Following the Irish release of The Guts, the new Roddy Doyle novel that brings back Jimmy Rabbitte from The Commitments, The Irish Times interviews Doyle, who remembers a time when his writing garnered him death threats. Sample quote: “I drove the guy in the next room demented as I replayed an old tape, repeating the same musical phrase, again and again.”
The Opposite of #AmWriting
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. “If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives.” On another side of the secrecy spectrum, Emma Straub writes about what it’s like to keep a personal secret even as her literary life was booming.
●
●
Not for Everyone
Ultra-niche magazines operate a bit differently than their larger and more mainstream cousins. Magazines like Donkey Talk, which caters exclusively to donkey hobbyists, aim for tiny audiences of a few hundred to a few thousand readers. They also cultivate their own jargon — one magazine, The Mountain Astrologer, tosses the word “quincunx” around as casually as “email.”