Crapalachia author Scott McClanahan kicks off The Triangle’s brand new “visual interview” series with shots of himself, a dumpster behind his house, and his pair of “writing panties.” (Bonus: I urge you to read his books.)
“I Write Because I Have Hands.”
Of Transatlantic Manoeuvres and Colourful Sweaters
Our favourite American editor of an across-the-pond publication – Emily Bobrow of More Intelligent Life – chats with The Morning News about Anglo-American stylistic differences: “The English work hard but pretend not to, while Americans often strain to look busy.”
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The Little Death
This essay from Garth Greenwell at The New Yorker about gay mystery novelist Michael Nava is as fascinating as it is informative. Then, let Daniel Friedman at The Millions spoil the genre for you with his take on the very few ways to tie up a mystery.
Google Books’s Impasse
“When it started almost 15 years ago, [Google Books] … seemed impossibly ambitious,” writes Scott Rosenberg. “An upstart tech company that had just tamed and organized the vast informational jungle of the web would now extend the reach of its search box into the offline world.” But these days, Google’s moonshot has turned into a “mundane reality.” How?
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B Is for Bigotry
“I mostly find it sad. I understand that super religious people would not be there supporting it, but to go the extra mile to fight it when you could just not come kinda shocked me!” The Huffington Post reports on Brandon James, a drag performer whose plans to read to kids about acceptance at a North Carolina public library were scuttled after some of its patrons complained. We suppose the march of progress is never neat (via Book Riot).
Cohen on Joyce
On Bloomsday, Joshua Cohen highlights Joyce’s heirs around the world.
“Be realistic! Demand the impossible!”
Want to go to Paris but don’t have the money? You can read these books instead. In the Times, a list of new books that bring you to the City of Light.
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Chatting with Rushdie
“A lot of writers are big readers. Very often, when you’re writing your day’s work, something you write will remind you of something that you read. And the thing that you read shines a kind of light on the sentences that you’re writing. So I think it would be very hard to write without having read a great deal.” Listen to Salman Rushdie chat with Paul Holdengraber about poetry, film, and his latest project. Liam Hoare writes on the implications of Rushdie’s fatwa.
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