Crapalachia author Scott McClanahan kicks off The Triangle’s brand new “visual interview” series with shots of himself, a dumpster behind his house, and his pair of “writing panties.” (Bonus: I urge you to read his books.)
To add to the awards lists, Believer has announced its editors’ shortlist for the Believer Book Award, which looks to acknowledge “the strongest and most underappreciated” novels of the year. The shortlist includes Danielle Dutton’s Sprawl; Kira Henehan’s Orion You Came and You Took All My Marbles (reviewed for The Millions); James Hynes‘ Next, Grace Krilanovich’s The Orange Eats Creeps (reviewed for The Millions); and Paul Murray’s Skippy Dies (reviewed here).
As a literary technique, imitation is usually thought of as an amateur move, despite the number of classic works that began as overt acts of mimicry. At the Ploughshares blog, Anca Szilagyi comes up with several prompts for writers who want to imitate thoughtfully.
“We don’t have to look at Iraq for an analogue to Missouri,” writes Elif Batuman. “We can look instead at Missouri, or elsewhere in the United States.” Indeed for many ordinary Americans, as Jabari Asim echoes in his poem inspired by the recent events in Ferguson, “It’s more than time we had that talk / about what to say and where to walk, / how to act and how to strive, / how to be upright and stay alive.”
Photographer Christopher Jue journeyed with People Who Eat Darkness author Richard Lloyd Parry into the four-story headquarters of the Kudō-kai, a Yakuza group headquartered on the Kyushu island of Japan. “My mental note to myself,” says Jue, “was ‘once I step foot into their property, anything can happen.’”