Somehow we knew that Gary Shteyngart had a pretty interesting childhood. As Andy Borowitz explains in a review of Little Failure, the author’s new memoir, the elder Shteyngart regaled his son with “outlandish” stories, most notably “a sci-fi saga about a Jewish planet under constant attack by volleys of pork.” You can learn what the author likes to read today in his Year in Reading piece.
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. [...] One might say that New Yorkers like the folks in 'The Beach Boy' are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”
The Virginia Quarterly Review launched their redesigned website this week, and it’s a sight to behold. To celebrate the occasion, the magazine has dropped its paywall through Valentine’s Day, so start exploring. I recommend starting with Kevin Young’s recent poem, “There Is a Light That Never Goes Out,” which he composed entirely out of song lyrics.
There’s a certain narrative voice with an unspoken aim to exonerate the speaker from wrongdoing. It occurs in novels, though it’s most common in monologues, especially those which take up the entirety of a play. At Bookforum, Lurid and Cute author Adam Thirlwell lists a number of examples, including Hunger by Knut Hamsun and Wars I Have Seen by Gertrude Stein.