Recommended Reading: Kevin Brockmeier’s essay “Dead Last Is a Kind of Second Place” at The Georgia Review. “Someone at school has been stealing people’s lunches from their lockers—including, for the fifth time now, his. He needs a new plan, since obviously the potato chips didn’t work.” For more Brockmeier, check out our review of his novel The Illumination.
"Are things getting worse for women in publishing?" The Guardian asks, and while the article focuses on the UK, it also touches on the state of affairs in the U.S. What both situations share is a lack of female representation at the executive level, based partly on "a generation of women retiring and the amalgamation of publishing houses, which has left fewer c-circle jobs to compete for." Oh, and sexism.
The contents of the Warburg Library suggest it was conceived in a fairy tale. As Adam Gopnik describes it, the shelves of the quirky London establishment include things like medieval astrology tomes and a section on “The Evil Eye.” Yet despite its notoriety, the University of London filed a lawsuit against it last year, as part of a move to incorporate the Warburg into its greater library. In the latest New Yorker, an essay on the controversial landmark.
"Patriarchal domination, even — despite appearances — in the West, is still very entrenched, and each of us, in the most diverse places, in the most varied forms, suffers the humiliation of being a silent victim or a fearful accomplice or a reluctant rebel or even a diligent accuser of victims rather than of the rapists. Paradoxically, I don’t feel that there are great differences between the women of the Neapolitan neighborhood whose story I told and Hollywood actresses or the educated, refined women who work at the highest levels of our socioeconomic system. " In a rare interview, Elena Ferrante discuses the #meToo movement, Naples and her writing process for the Neapolitan novels in a rare interview translated from the original French.
"How can we represent four hundred years of American literary history in a way that doesn’t reinforce the unfortunate hierarchies of those four hundred years?" Year in Reading alum Rebecca Makkai writes for Electric Literature about the opening of the new American Writers Museum in Chicago and what it means to curate an historical canon of letters. See also: our interview with Makkai from a couple of years back.