"For Mr. Kirn, 51, who indeed brims with an outer confidence that can be intimidating at times to those unused to brash, creative types who dress in custom cowboy boots and seem indifferent to the modest niceties of literary image, the loud underwear seems to be working this afternoon." If this doesn't read like the typical author profile that's because Walter Kirn interviewed himself for The New York Times on his new book, Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade. Here's our review.
For the tenth anniversary of Nickel and Dimed: On (Not) Getting By in America, Barbara Ehrenreich has penned a new foreword and introduction which you can read here.
With past contributions by Joyce Carol Oates, Yusef Komunyakaa and Dana Goodyear, The Rattling Wall (which gets funding from PEN Center USA) appears to have no problem attracting prominent writers. For a limited time, get a three-year subscription at a discount of close to fifty percent.
What's the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you've read Gone Girl. She discussed how to write a good thriller, why she doesn't believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times "By the Book" interview. Pair with: Our conversation about Gone Girl.