At The Rumpus, Catherine Brady interviews Daniel Alarcón, who recently came out with a new novel. Alarcón talks about his love of Roberto Bolaño and the paradox of writing about prison, among other things. (You could also read Jeff Peer’s review of the author’s new book.)
“He says you should choose a book narrated by a person of the same gender as their primary master, played at average volume on an in-home listening device such as the Alexa-driven Echo device.” Cesar Milan is curating a list of titles for Amazon’s new Audible for Dogs initiative, reports USA Today. On the list so far: Pride and Prejudice, The Wind in the Willows, and Trevor Noah’s Born a Crime: Stories from a South African Childhood (via Book Riot).
What happens when a literary fiction writer tackles YA? If that writer is Sherman Alexie, he produces an award-winning book that rivals the quality of his books in other genres. At the Ploughshares blog, Annie Cardi writes about writers who’ve made this transition, including Alexie, Roddy Doyle and Louise Erdrich. You could also read our survey of high school students on the best YA books of 2013.
New Directions releases César Aira’s The Hare this week. The novel was featured on our Great Second-Half 2013 Book Preview not long ago. Today also marks the release date for David Foster Wallace and Mark Costello’s Signifying Rappers, which is being re-released by Little, Brown.
It’s no secret that I’m a big fan of the “Ted Wilson Reviews the World” series over at Electric Literature. This week, he takes on everyone’s (least?) favorite confection — sprinkles. Unsurprisingly, sprinkles score a bit higher than Anxiety did a couple weeks ago: “Sprinkles can take an ordinary cupcake and turn it into a cupcake that looks like a rainbow shattered and fell all over it, and then the leprechaun at the end of that rainbow hid inside the cupcake and the only way to get him is to eat it.”
“Per one estimate, 96 of the 154 sonnets credited to Shakespeare contain rhymes that have since been lost to linguistic history.” The Atlantic writes on why we should be laughing more when we read Shakespeare. If you’d prefer to revere him, here’s a piece on Shakespeare as God.