Even though James McBride (new National Book Award winner for The Good Lord Bird) is an accomplished jazz musician, he doesn’t listen to any music while writing. “Because I’m a musician, listening to music is…it’s a bit like work for me,” he told The Daily Beast for the “How I Write” series.
Writing on Mute
Pixar Concept Art Released
Pixar got the 2013 film buzz started early by sending out four images of concept art to ComingSoon.net prior to New Year’s Day. The artwork provides teaser images of films in the pipeline through 2016.
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Parks and Read
“The idea is to bring about a change in lifestyle of the young denizens of the city.” The Times of India reports that the Bhopal Runners Association is converting old parks around the city into green reading spaces with seating, wi-fi, and literary events. Less bookcentric but still a feat of public planning (and gentrification): New York City’s High Line, which our own Michael Borne wrote about when it first opened.
Living and Translating is Wearing Me Out
The premier English-language translator of modern Chinese fiction, Howard Goldblatt, says flatly that Western audiences don’t read Chinese books. However, with last year’s Nobel Prize win for Mo Yan (and the rave review his novel Pow! received in the Times), Goldblatt and other scholars are hoping that could change.
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Activist Art
Over at Hyperallergic, art, activism, and literature collide in When We Fight, We Win!: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World by Greg Jobin-Leeds and AgitArte. Pair with our own Bill Morris’s review of The Black Power Mixtape 1967-1975.
Tommy Pico on Being a Poem
"Shall I be a poem for you?" Tommy Pico asks in his latest book, Feed, an ode to reconciling life's wild inconsistencies.
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Unforgivable Sins
We’ve covered The New York Times Bookends column before. This week, Benjamin Moser and Year in Reading alumna Rivka Galchen discuss unforgivable sins in literature.
The OA’s New EIC
Take the opportunities provided by this video and this interview to get to know Roger Hodge, the new editor of The Oxford American.