Somewhat overshadowed by David Simon’s recent op-ed on the state of modern America (if not capitalism itself) was the news that Wendell Pierce – featured prominently in both The Wire and Treme – secured a book deal for his meditation on Hurricane Katrina and “the effect it had on his family, his life, his memory, and his hometown.”
Bostonians, check out this new collaboration between the city and Mass Poetry. They’ve been covering the city’s sidewalks in poetry that you can only see when it rains. If you’re visiting the city, stop at the Old Corner Bookstore for lunch, which is now a Chipotle.
“Our contemporary analogues to the personal notebook now live on the web — communal, crowdsourced and shared online in real time.” Jenna Wortham writes on how archiving the Internet would change history. We’ve written about the implications of the Internet more than once.
“I haven’t met Drake, but I have of course met people who have met Drake. But you have to realize how o-l-d I am. I’m not likely to go to the same parties. Or many parties at all, to be frank.” Junot Diaz interviews Margaret Atwood for The Boston Review. We obviously recommend you read our respective interviews with them both, too.
Dzanc Books began the submissions period for its 2013-2014 Non-Fiction Award. The indie press is looking for memoir, political, historical, and biographical manuscripts. Millions contributor Nathan Deuel – whose book Friday Was the Bomb will be published by Dzanc in May — will select a winner from among a list of ten finalists, and the top manuscript will be published in the Fall of 2015. The deadline to enter is June 30, 2014.
Edith Pearlman has been writing stories for a long time, but it’s only recently that she’s received widespread attention for them, as evidenced by this New Yorker piece on the author by James Wood. In it, Wood writes about the ways in which Pearlman is “a fabulist in realist’s clothing,” among other things. Pair with: Josh Cook on Pearlman’s book Honeydew.