Somewhat overshadowed by David Simon’s recent op-ed on the state of modern America (if not capitalism itself) was the news that Wendell Pierce – featured prominently in both The Wire and Treme – secured a book deal for his meditation on Hurricane Katrina and “the effect it had on his family, his life, his memory, and his hometown.”
Wendell Pierce Secures A Book Deal for His Look at Hurricane Katrina
Luck of the Irish
The luck of the Irish is undoubtedly with Poetry Magazine this month in conjunction with the publication of their special Irish issue. In it, twenty-five Irish poets from Caitriona O’Reilly to Declan Ryan showcase some of the best of what the Emerald Isle has to offer; here is Patrick Cotter introducing the book for The Irish Times.
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#1000BlackGirlBooks
If you haven’t heard about Marley Dias, you have now. She has launched the #1000BlackGirlBooks book drive to collect one thousand books with black girls as the protagonists, which will be donated to a library in St. Mary, Jamaica. Did I mention that she’s eleven years old?
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Lob One for Iain
Amidst the tragic news that Iain Banks has cancer, The Telegraph responds with a headline for the ages: “Iain Banks taught me that books can be a hand grenade"
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Menswear and Books
Jason Diamond looks at why "books are in [such] abundant supply in the menswear world."
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Apparently There is a “There” There
Gertrude Stein once said of Oakland that “There’s no ‘there’ there.” If the latest novel by Michael Chabon, Telegraph Avenue, is any indication, not everyone agrees -- the author set the book in the Oakland of 2004. At The New Yorker's Page-Turner blog, Matt Feeney delves into the book's racial politics.
Send In the Clowns
Coulrophobes take heed! You’re not scared of clowns because they’re inherently dark, or even because you caught a few minutes of Stephen King’s IT on television. In fact, you probably owe your fear of clowns to a fellow named Joseph Grimaldi, the “Homo erectus of clown evolution.” When this progenitor died in 1837, a young Charles Dickens “was charged with editing his memoirs.” The resulting portrait, relays Linda Rodriguez McRobbie, was what ultimately “water[ed] the seeds in popular imagination of the scary clown.”