Sad that Breaking Bad is over? Bryan Cranston might have a new TV show on the way, and it was inspired by The Dangerous Book for Boys, he said in an interview for The New York Times “By the Book” series. While you wait, check out our article on what to read after you’ve finished watching Walter White’s saga.
Walter White’s Bookshelf
Flavorwire on Author Photos
From Flavorwire, another contribution to the burgeoning field of author photo analysis.
New Releases: Foer, Coupland, King
Stephen King’s latest, Under the Dome, is out today. It’s 1,100 pages and is being compared to The Stand. Meanwhile, Generation A by Douglas Coupland is also hitting shelves. It’s a sequel to Coupland’s famous, influential debut, Generation X. Also out last week was Jonathan Safran Foer’s treatise on vegetarianism, Eating Animals, which picked up a mixed review in the New Yorker.
●
●
The Fairy King
Ian Thompson for The Telegraph has written a fantastic, comprehensive piece on the fabulous allure of the Cuban-born, Italian writer Italo Calvino. Head back to The Millions for a couple of pieces on Calvino’s sixth memo and science fiction masterpiece, respectively.
●
●
Bow Down
The U.S. Library of Congress has named its newest poet laureate, reports The New York Times. Tracy K. Smith says, “I’m very excited about the opportunity to take what I consider to be the good news of poetry to parts of the country where literary festivals don’t always go. Poetry is something that’s relevant to everyone’s life, whether they’re habitual readers of poetry or not.” Pair with our review of Smith’s memoir Ordinary Light.
●
●
Louisiana: Where Music Was Born
Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”