From the person who brought you Infinite Boston comes Infinite Atlas, an interactive map of the places that make up Infinite Jest, and, for the truely devoted, the Infinite Map, a framable print version of that atlas. Page-Turner offers an extended preview of D.T. Max’s Every Love Story Is a Ghost Story. Maria Popova highlights a few of the signature DFW words that he adopted from his mother.
In the past ten years, we’ve seen many attempts to construct a taxonomy of the hipster, which is why it’s refreshing to come across a novel account of the term’s origins. At The Atlantic, Karen Swallow Prior makes a convincing case that T.S. Eliot, in The Love Song of J. Alfred Prufrock, invented the “cuffed-trouser urbanite on the hunt for authenticity.”
Qiu Miaojin was a Taiwanese novelist and lesbian activist, and her short life has had a profound impact on queer literature since her suicide in 1995. Recently Bonnie Huie received a PEN translation grant so she could bring Miaojin’s best-known work, Notes of a Crocodile, to an English-speaking audience. You can read an excerpt of Huie’s translation on the Asian American Writers’ Workshop online publishing platform, The Margins.
Those following this weekend’s events in Tripoli will no doubt be interested in Banipal‘s issue dedicated to Libyan fiction. And, as Moammar Gaddafi‘s reign appears to be ending, the Guardian‘s evisceration of his short stories is worth a read. On NPR‘s site, Hisham Matar also explains the influence of Gaddafi’s rule on Libyan writing.