If you haven’t fantasized about being a solitary lighthouse keeper, then you’ve either a) read some of the scariest bits from Susan Casey’s The Devil’s Teeth; or b) you haven’t yet watched Aeon Magazine‘s gorgeous Behind The Light short film.
I Am My Lighthouse’s Keeper
Web 3.0: How Do We Pay for This?
The Present Group provides an interactive look at “how artists, cultural producers, and content providers have experimented with funding and support models during the Internet Age.” The scrolling timeline spans from 1998 through 2016, and it outlines the major innovations (and failures) as websites tried monetizing.
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Indie Road Trip
Something to do with those last remaining days of vacation: go on a national indie bookstore tour, as designed by Chin Music Press.
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Questions of Travel
Elisa Wouk Almino writes for Hyperallergic about her search for a home in Elizabeth Bishop’s poetry of estrangement. As she explains it, “Over time, I’ve found that home is not always attached to place.” Pair with this meditation on Bishop’s poetry.
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“Can you lend me [Goethe’s] Theory of Colors for a few weeks? It is an important work. His last things are insipid” -Beethoven
Booktryst offers a peek at famed German novelist and (apparently) amateur physicist Johann Wolfgang von Goethe’s Theory of Colors, revealing Goethe as a sort of proto-Kandinsky.
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Beautiful Malaysia
The latest short by James W. Griffiths, We Were Wanderers On a Prehistoric Earth, is an “ode to the incredible flora and fauna of Malaysia.” The film is accompanied by a passage from Joseph Conrad’s Heart of Darkness, and it’s clear that the author’s description of the Congo applies to Southeast Asia quite easily.
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Slow Down, September!
There was a lot going on this September. Luckily, the good folks over at The Literary Hub have provided us with this helpful list of five of the best new books September had to offer. A personal favorite includes Emily Donoghue’s The Wonder, in which the protagonist appears to be subsisting on nothing but water.