If you haven’t fantasized about being a solitary lighthouse keeper, then you’ve either a) read some of the scariest bits from Susan Casey’s The Devil’s Teeth; or b) you haven’t yet watched Aeon Magazine‘s gorgeous Behind The Light short film.
I Am My Lighthouse’s Keeper
Dr. Seuss Manuscript Surfaces
“All Sorts of Sports. Shall I play checkers? golf? croquet? There are so many games there are to play.” A never-before-seen Dr. Seuss manuscript, “All Sorts of Sports,” is up for auction. (via AuthorScoop)
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The Lives of Movie Characters
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
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More Authorial Car Crashes
“Camus, Car Crashes, Cinema,” a weird sequel to Bill Morris’ two lists of writers who met death by motor vehicle.
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Clashing Titans, old and new fashioned
Virginia Heffernan weighs in on the whole Wikipedia v. Philip Roth thing, brilliantly pitting “Anglo-American Great Man media empires” against “Polyglot Open-Source new media”.
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Zombified
Recommended Reading: Michael Christie on Aleksandar Hemon’s The Making of Zombie Wars. You could also read Hemon’s Year in Reading entry.
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On Pronouns and Ownership
Dr. Dennis Ryan Storoshenko is conducting research for a Yale Linguistics project, looking to ask people about theirselves and their pronouns. Take a minute of your time to help him out.
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