“Almost as soon as the concept of the Great American Novel was invented, in the nation-building years after the Civil War, Buell finds it being mocked, noting that one observer dryly put it into the same category as ‘other great American things such as the great American sewing-machine, the great American public school, and the great American sleeping-car.’ It was enough of a cliché by 1880 for Henry James to refer to it with the acronym ‘GAN,’ which Buell employs throughout his book.” On the reigning gold standard for quality in American fiction. (Related: we asked nine experts their picks for the best American novel.)
Great American Label
Meg Wolitzer Goes Hollywood (Again)
Meg Wolitzer details the odd experience of seeing her characters brought to life on the screen in The New York Times.
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Mark Twain’s Autobiography
Mark Twain left instructions not to publish his autobiography until 100 years after his death, which is now. Volume I will hit shelves in November.
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The Root of Fantasy
Recommended Reading: Bret Anthony Johnston on (not) writing what you know. His essay is an excerpt of Writer’s Notebook II, published by the folks at Tin House. (Related: we published Harper’s editor Christopher Beha’s essay in the book last year.)
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Olga Tokarczuk on the Coherent Cosmos of Leonora Carrington
Olga Tokarczuk reflects on the "wild metaphysics" of Leonora Carrington’s 1974 surrealist novel, The Hearing Trumpet.
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The End of a Myth
When Hanna Rosin published The End of Men this year, the book stirred up a lot of controversy (and a number of parodies, to boot). Now Stephanie Coontz, a historian, takes issue with Rosin’s premise — the “myth of male decline” — in the pages of The New York Times Book Review.
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A Tale of Two Daredevils
In The Guardian, our own Mark O’Connell reviews TransAtlantic, the new novel by Year in Reading alum Colum McCann. If you’ll recall, we featured the book in our Great 2013 Book Preview.
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It’s Darcy, Isn’t It
Why do Americans love Jane Austen so much? The BBC (who else) takes a look at possible reasons.