“While the revolutionary milieu that was the source of many of the book’s events may have vanished, we have our own milieu.” At The Rumpus, Will Augerot re-evaluates John Dos Passos’s The USA Trilogy. He concludes that Dos Passos is more relevant than ever. Pair with: Our essay on the polyphonic novel.
Good Ol’ USA Trilogy
A digressive and beautifully written announcement.
“Maybe everything is an organized mess at high speed”: in one of the more deeply buried leads in history, Brad Listi announces The Nervous Breakdown‘s new publishing imprint. And yes, I could just send you to the official press release, but I loved this piece.
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DJ Díaz
“I’ve always thought Yunior’s voice isn’t possible without hip-hop,” Junot Díaz says. He discusses how hip-hop influenced his writing, his top three albums (Immortal Technique’s Revolutionary Vol. 2., Wu-Tang Clan’s Enter the Wu-Tang: 36 Chambers, and Big Daddy Kane’s Long Live the Kane), and even Miley Cyrus in an interview with Salon. Previously, we reported that he wrote his first book to the Conan the Barbarian soundtrack.
The Beat Drops And Rises Again
Scott Plagenhoef tracks electronica’s Phoenix-like trajectory from its overhyped beginning in the 90’s through its contemporary influence on folks like Skrillex.
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For the Grammarians
Who or whom? Which or that? Jon Gingerich has helpfully assembled a list of “20 Common Grammar Mistakes That (Almost) Everyone Makes.”
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Offshoots
Recommended Reading: Our own Elizabeth Minkel on Sherlock and fan fiction. You can also read another essay of hers on fan fiction here at The Millions.
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