Sherlock Holmes has solved his greatest mystery yet. It only took 125 years, but Arthur Conan Doyle’s famous detective is in the public domain. A federal judge has ruled that all Sherlock Holmes stories published before January 1, 1923 are no longer under U.S. copyright law.
Sherlock Holmes and the Mysterious Copyright
Thomas Pynchon: The Video Game
"Inherent Vice . . . is like a novelization of Grand Theft Auto, claims Nerd World. And hey, they've got ten points of comparison to back it up, so you know it must be true. (via)
Brandwashed
"The average American three-year-old can recognize 100 brands," says prominent advertising and marketing guru Martin Lindstrom. Are we being Brandwashed? For The New York Times, Steven Heller tracks the history of corporate symbols and branding.
●
●
A New Whodunit
“They were town men. The sheriff and the other four went into his shack. One of them was Hines, the undertaker. They were in there for some time. They even opened the stove and dug through the ashes.” Stephen King has a story in this week’s New Yorker.
“Pointless and trivial.”
“Where, more importantly, is the story? David simply is. He does nothing, desires nothing. He exists, if that, and nothing more.” Shalom Auslander judges the prestigious Three Under Three prize.
●
●
Straightening Up the Files
“Mom would meet up with us in the museum, take us to study Impressionist or Modern art. It always made me want to puke, but we did it every weekend for over a year.” Smithsonian Magazine has a lovely piece about the story behind the children's classic From the Mixed-Up Files of Mrs. Basil E. Frankweiler, including lots of anecdotes from author E.L. Konigsburg's kids.
●
●
“Bob wasn’t the settling sort.”
I promise you that the best thing you’ll read today is this remembrance of the Kilimanjaro climbin’, chemotherapy-cocktail imbibin’, tank bustin’ and cricket playin’ life of Major Robert Crisp, D.S.O, M.C.
Vanishing on the Stage
Over at Entropy, Laura A. Warman writes about queer poetics and the politics of the body in poetry performances. As she puts it, “Can we be a body that is constantly obscured?” Pair with this Millions essay on poetry performances.
●
●