Following the news that Beyoncé sampled a TED talk given by Year in Reading contributor Chimamanda Ngozie Adichie, Tin House dug up an interview with the author, who says that to this day, when she looks at the manuscript of Americanah, she feels “thrilled and amazed that [she] actually finished writing this.”
In Bogotá, Colombia, a garbage collector by the name of Jose Gutierrez has been working tirelessly to rescue thrown-away children’s books for use in his homemade community library. If this doesn’t immediately call to mind Bohumil Hrabal’s classic Too Loud a Solitude, then it might be time for a re-read. Also, check out this Millions essay by John Yargo on Hrabal’s rambling fiction.
Neil Gaiman is famous for a lot of reasons, but perhaps the number one reason is Sandman, the graphic novel series that won the author nineteen Eisner and six Harvey awards. Now, twenty-five years after publishing the first issue, Gaiman has written a prequel, named Overture.
They’ve called him a sports icon, a “national nightmare,” an author, and a punchline. They’ve questioned the backlash against him, and tracked his particular brand of “muscular Christianity.” Coincidental religious symbolism has been noted. Yet so far nothing has come close to genius of Jimmy Fallon’s rendition of Tim Tebow as… TeBowie.
We have some bad news, writers. People actually dislike creative thinking. Despite how society celebrates creativity, most people are too risk averse to appreciate it, studies indicate. What’s the upside? Social rejection can bolster your creativity, but most writers probably knew that already.