In an excerpt of Out of Time, a new book on “the pleasures and perils of ageing,” author Lynne Segal makes a case that many iconic male writers — among them Philip Roth, John Updike and Martin Amis — display in their works a belief that the slow loss of virility is one of the most tragic effects of growing older for men. Citing passages from Toward the End of Time and Portnoy’s Complaint, she finds evidence that these writers’ depictions of masculinity reveal “obdurate social hierarchies of gender and ageing.” (Related: Keith Meatto on advice you can glean from Philip Roth’s work.)
Richard Branson has built a global business empire (Virgin Group) around the philosophy “have fun and the money will come.” Branson’s new book, Screw Business as Usual, says there’s a way to make money and also do good. And speaking of having fun, watch Branson and Steven Colbert get into a fire extinguisher/water fight.
“The best thing I ever do for my writing is to take a walk alone in the woods behind our house. Nothing else gets my writing juices flowing so well. And yes, I think that I absolutely need more quiet in our current fractured world.” For Poets & Writers, novelist Leesa Cross-Smith interviewed fellow writer Silas House about quiet books and the importance of nature in the writing process. Pair with: our own Emily St. John Mandel on the pleasures of quiet books.
“How easy for the waterfall to turn back / into the river, the long, silent face / holding all that has passed through it / as though untouched…” A new poem from Charif Shanahan at Lit Hub, “Wanting to Be White,” forces the audience “to reconsider poetics and race, distinct yet indivisible in the American grain.” Not a fan of poetry? Check out our list of ten poems for people who hate poetry.
Byliner has published two never-before-seen stories by the late Elmore Leonard. The first story, “The Trespassers,” follows a pair of hunters, while the second focuses on a whiskey-swilling priest who gets involved in a showdown in the Wild West. (You should also read our own Bill Morris on the qualities that made Leonard a special writer.)
“In fact, I think Plath has turned out to be a much better poet than Hughes ever was. Of course he won all the prizes, and his name is on the stones in Poet’s Corner and OK, he’s pretty good, but not that good, whereas she gets better and better.” Granta interviews the critic Al Alvarez, onetime friend of Sylvia Plath and Ted Hughes.