In an excerpt of Out of Time, a new book on “the pleasures and perils of ageing,” author Lynne Segal makes a case that many iconic male writers — among them Philip Roth, John Updike and Martin Amis — display in their works a belief that the slow loss of virility is one of the most tragic effects of growing older for men. Citing passages from Toward the End of Time and Portnoy’s Complaint, she finds evidence that these writers’ depictions of masculinity reveal “obdurate social hierarchies of gender and ageing.” (Related: Keith Meatto on advice you can glean from Philip Roth’s work.)
With the Ender’s Game movie approaching, critics of Orson Scott Card are drawing attention to the writer’s anti-gay rhetoric. In protest of his position, they compelled DC Comics to scrap a Card-penned Superman comic and started a movement to boycott the upcoming movie. In New York Magazine, Kyle Buchanan runs through the nitty-gritty of the controversy, which includes a recent statement from Card that the repeal of DOMA means “the gay marriage issue” is now “moot.” (You might also want to read our interview with Card from back in May.)
There There by Tommy Orange is one of our most anticipated books of the year. It debuts next week and this week Orange receives the New York Times treatment along with a few other rising star indigenous writers in an excellent profile. "Mr. Orange is part of a new generation of acclaimed indigenous writers from the United States and Canada who are publishing groundbreaking, formally innovative poetry, fiction and prose, shattering old tropes and stereotypes about Native American literature, experience and identity. Their ranks include poets like Layli Long Soldier, Natalie Diaz, Joshua Whitehead and Tommy Pico, and the essayists and memoirists Elissa Washuta and Terese Marie Mailhot.
Brooklyn Poets caught up with Danniel Schoonebeek in order to discuss one of his poems, hear about his idea of “a good day,” and take his recommendations for places to read, write, and explore in Brooklyn. I’ll tell you this much: the man knows how to pick a good happy hour.
“There are dangers for an artist in any academic environment,” says former Poetry editor Christian Wiman, who now teaches at the Yale Institute of Sacred Music. “Academia rewards people who know their own minds and have developed an ironclad confidence in speaking them. That kind of assurance is death for an artist.”
Why do we reread novels obsessively as children but hardly ever as adults? At The Morning News, Clay Risen discusses why rereading appeals to children so much. "It was a residual sense of wonder, left over long after I had accepted that the reality on the page and the reality beyond it are distinct." Pair with: Our essay on the pleasures and perils of rereading.