Shakespeare was an insult master, as were Churchill, Dorothy Parker, Oscar Wilde and… Cézanne? Apparently so. In The Irish Times, Colm Tóibín reads through the painter’s letters, one of which includes a gripe that “Pissarro is an old fool [and] Monet is a wily bird.” (You could also read Claire Cameron’s Millions review of Tóibín’s latest novel.)
Edith Wharton is known as a novelist but she was also a wonderful hostess, whose guests (including Henry James) remember her as “kindness and hospitality incarnate.” Kate Bolick has turned Wharton’s life-long attempt to master “the complex art of civilized living” into an entertaining guide, “The Guesthouse of Mirth,” just in time for those last few summer parties. Pair with Roxana Robinson‘s reflections on Wharton’s life and works, including the original The House of Mirth.
This little bit of found poetry courtesy of the Beaufort Wind Scale and Mallory Ortberg over at The Toast will have you reading your weather reports with a fresh set of eyes. If meteorology is your thing, here’s a link to the ten best weather events in all of fiction.
Recommended Reading: All of the New York Times Book Review’s “Money” issue is worth a look, but in particular I recommend checking out Chris Ware’s original graphic short story. (Bonus: the Building Stories author recently contributed to our Year In Reading series.)
On this day 124 years ago Raymond Chandler, hardest of the hard-boiled, was born. To celebrate the father of Philip Marlowe see these letters Chandler wrote to some of his contemporaries, listen to Chandler’s interview with Ian Fleming, and enjoy a couple classic Chandlerisms. Most importantly, read “The Simple Art of Murder,” the greatest essay about the mystery novel ever written.
How’s your NCAA bracket doing? Busted? Well, maybe you should’ve picked your teams based on which ones turn the highest profit. The Atlantic analyzed the financial data and, voilà, their bracket correctly predicted nine of the teams in the Sweet Sixteen.
Jennifer Egan recently spoke with Willing Davidson, fiction editor of The New Yorker, as part of Rewiring the Real, a yearlong series of podcasts with writers about the interplay of literature, technology and religion. Rachel Hurn, a former Millions intern, was there and noted Egan’s ambivalence towards “personal writing.” [Updated to correct the quote] “If writing necessarily meant writing about myself, then I’d rather do something else,” Egan said.