As of this morning, the 2014 IMPAC Dublin longlist is out, and the titles that made the final cut are an eclectic assortment. The Testament of Mary by Colm Tóibín (which we reviewed) made the cut, as did The Orphan Master’s Son by Adam Johnson (which won the Pulitzer earlier this year) and Bring Up the Bodies by Hilary Mantel (which won the Booker Prize).
For its November issue, Wired asks guest editor President Obama for a list of his 10 essential books. The magazine estimates that reading all of them, including James Baldwin’s The Fire Next Time, Katherine Boo‘s Behind the Beautiful Forevers, and Elizabeth Kolbert’s The Sixth Extinction: An Unnatural History, will take only eighty-nine hours.
“In the end, no special effects, dazzling displays, augmented realities, or multimodal cross-platform designs substitute for content. Scholarship, good scholarship, the work of a lifetime commitment to working in a field — mapping its references, arguments, scholars, sources, and terrain of discourse — has no substitute.” Johanna Drucker writes about both the importance and the inherent difficulty of scholarly publishing for the Los Angeles Review of Books.
On this date 109 years ago, a cartoonist first paired the letter “Z” to the act of sleeping, beating out other attempts to write out the sound of slumber such as the tenacious “g-r-r-k-k-k-k” and the elegant “z-z-z-c-r-r-k-k-k-k.”
It’s not hard to find studies of the connection between creativity and alcohol. It’s a connection which great minds have remarked upon for centuries. But what’s less remarked upon is a more everyday relationship — the connection between great writing and food. In The New York Review of Books, Patricia Storace reads Sandra M. Gilbert’s The Culinary Imagination. (Related: Stephanie Bernhard tries out Hemingway’s recipes.)
Essay Liu‘s essay “Seven Days After Father” has been translated by Kevin T. S. Tang for Blunderbuss Magazine and presents a daughter’s sincere grief confused by custom. “‘The funeral director forbids tears as we approach your coffin, but demands that we weep on our return. This is the movie script we’ve been handed, one we’ll be beholden to for days, and I know that many things are not mine to decide anymore. Even our tears have been planned for us.”
“Too often, a woman’s pain is not merely met with doubt, but suspicion, both within the medical community and outside of it.” The New Republic writes about female pain, the medical community, and Abby Norman‘s book, Ask Me About My Uterus: A Quest to Make Doctors Believe in Women’s Pain.