As of this morning, the 2014 IMPAC Dublin longlist is out, and the titles that made the final cut are an eclectic assortment. The Testament of Mary by Colm Tóibín (which we reviewed) made the cut, as did The Orphan Master’s Son by Adam Johnson (which won the Pulitzer earlier this year) and Bring Up the Bodies by Hilary Mantel (which won the Booker Prize).
Obama inclined readers looking for a swifter read than The Bridge should pick up the pithy new anthology of poems composed during President Obama’s first hundred days in office, Starting Today: 100 Poems for Obama’s First 100 Days.
At The Morning News, Ben Shattuck explores the similarities between paintings and fiction writing. He explains that pictures convey emotion the way stories convey plot, through composition. Pair with this Millions essay on learning about a book from paintings.
Stop reading this post if you have things to do. Still here? You’ve been warned. Ray Cadaster compiled a list of The 50 Most Interesting Articles on Wikipedia, and then followed it up with a sequel containing 50 more. Over at Ploughshares, Justin Alvarez discusses his favorites among both lists, and he asks readers to share their best discoveries. As you go through these articles, keep an eye peeled for posts worthy of Citation Needed.
Everything you’ve ever wanted to know (but were afraid to ask) about book sales — from what the heck even constitutes a sale, to standard print runs, to author earnings per sale — from Lincoln Michel at Electric Literature.
“So scary are the consequences of a collapse of white privilege that many Americans have flocked to a political platform that supports and translates violence against the defenseless as strength. These people are not so much angry as terrified, with the kind of terror that makes knees tremble.” We highly recommend you read Toni Morrison‘s post-election essay for The New Yorker.
Recommended (and timely!) reading: Christy Wampole on why “You Will Never Be Able to Thank Your Mother Enough.”
“Over the years, I’ve come to realize that sometimes a ghost isn’t always a ghost. Sometimes, telling a ghost story is a way to talk about something else present in the air, taking up space beside you. It can also be a manifestation of intuition, or something you’ve known in your bones but haven’t yet been able to accept.” Jenna Wortham on the ghost stories of her youth.