As of this morning, the 2014 IMPAC Dublin longlist is out, and the titles that made the final cut are an eclectic assortment. The Testament of Mary by Colm Tóibín (which we reviewed) made the cut, as did The Orphan Master’s Son by Adam Johnson (which won the Pulitzer earlier this year) and Bring Up the Bodies by Hilary Mantel (which won the Booker Prize).
You may have read our review of Kazuo Ishiguro’s new novel The Buried Giant. You may also have read our own Mark O’Connell’s review at Slate. For another opinion, you could read James Wood, who writes about Ishiguro’s “prose of provoking equilibrium” in the latest New Yorker.
“Garth Greenwell’s project with What Belongs to You is to remind us how illicit cruising and anonymous sex figure within the modern gay identity. As the gay marriage movement helps sanitize (and de-sexualize) queerness, Greenwell brings the dark and sordid elements of sex and promiscuity back into sharp relief.” Over at Pacific Standard, Nathan Smith writes on the new gay novel. Pair with the Millions review of Greenwell’s book.
New this week: The Leftovers by Tom Perotta, Train Dreams by Denis Johnson, The Cut by George Pelecanos, Justin Torres’s debut We the Animals, and Just My Type: A Book About Fonts. And new in paperback is Millions Hall of Famer Skippy Dies by Paul Murray.
The possibility of a new André 3000 solo album (even if it’s “no sure thing”) is liable to make this writer giddy. Fun Fact: In a print-only interview with Oxford American, National Book Award-winning author Jesmyn Ward nominated Three Stacks as “the most underrated Southern writer.” (And she’s a fan of his collaborations with Frank Ocean, too.) You shouldn’t have needed an endorsement, but if you did, then that should be good enough for you.