It takes a certain skill to link Taipei by Tao Lin, My Struggle Part I and Part II by Karl Ove Knausgaard and an old book on Italian painting in a single essay, but Zadie Smith is (naturally) the writer for the job. In a new piece for The NY Review of Books, she asks the reader to “imagine [a drawing of a corpse] represents an absolute certainty about you, namely, that you will one day be a corpse.”
Stiff Manners
All In The Family
“It will be as long as a book, about 65,000 words. I’m writing my story, weaving together what life is like for LGBT people in Oklahoma and my story of growing up there as well.” Starting this week, Oral Roberts’ grandson, Randy Roberts Potts, is publishing his memoir on Instagram. The Bible Went Down with Birdie Jean takes the form of 300 individual posts, and tells the story of Potts’ rejection from his family alongside interviews with LGBT students at Oral Roberts University. Earlier this year we also considered what might make the Next Great Gay Novel.
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Close Call
After losing funding last spring, the Orange Prize has experienced a rebirth, gaining new financial backers and changing names; it will now be known as the Women’s Prize for Fiction.
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Writing About Suicide
Recommended reading: Philip Connors, whose memoir All the Wrong Places was included in our 2015 Book Preview, writes for the New Yorker about his brother’s death and the problems with “cathartic” writing.
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Lucky Writers
Catherine Banner writes on the “privilege and luck it takes to live the writer’s life.” Pair with this Millions essay on not quitting the writing life.
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No Word on What He Thought of Richard Simmons
In a review of My 1980s & Other Essays, Adam Kirsch reveals that Wayne Koestenbaum once compared a verse from a Robert Lowell poem to Buns of Steel. (Yes, that Buns of Steel.)
“Writers all need Vera.”
Does a writer need a devoted spouse to be prolific? At The Atlantic, Koa Beck examines the concept of having a do-it-all partner like Vera Nabokov and if this traditional gender role only harms female writers. Koa interviews various writers, from Emma Straub to Ayelet Waldman, on how their literary partnerships work. “I’d fantasized that being his Vera was a way for me to deal with being stuck as a stay-at-home mom—I’d subsume my own ambitions into something ‘greater!’ But that lasted about 48 hours,” Waldman said.
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What It Was Like, Down South
You may have read Darcey Steinke’s Year in Reading piece, or perhaps one of her articles here at The Millions. Or else you might have read — or at least heard about — her recent novel, Sister Golden Hair. Either way, you should read this interview at The Rumpus, in which she talks about Virginia, femininity and books that have too much plot.