It takes a certain skill to link Taipei by Tao Lin, My Struggle Part I and Part II by Karl Ove Knausgaard and an old book on Italian painting in a single essay, but Zadie Smith is (naturally) the writer for the job. In a new piece for The NY Review of Books, she asks the reader to “imagine [a drawing of a corpse] represents an absolute certainty about you, namely, that you will one day be a corpse.”
Did our interview with Hilary Mantel yesterday pique your interest in her latest book? The Times has an excerpt you can read. Elsewhere, Damian Barr (who conducted the interview) pens a response to Lord Bell, who recently suggested that Scotland Yard should investigate Mantel for criminal intent.
“In the end, no special effects, dazzling displays, augmented realities, or multimodal cross-platform designs substitute for content. Scholarship, good scholarship, the work of a lifetime commitment to working in a field — mapping its references, arguments, scholars, sources, and terrain of discourse — has no substitute.” Johanna Drucker writes about both the importance and the inherent difficulty of scholarly publishing for the Los Angeles Review of Books.
“Kindness cuts through the rest. And it’s a reminder for us all to reach out. Write that sweet note. Make that loving phone call. Because you never know what will stick.” Here is the follow-up to Julienne Grey’s fantastic New York Times piece “My Mother is Not a Bird,” courtesy of Electric Literature.
The Smithsonian has a good reminder about the links between design and history, about how time can seemingly erode the politics behind an aesthetic movement, about the relationships between images and texts, about how Italian futurism may still look cool but came from a group of sexist and at least partially fascist men.