Move over, “GIF.” (Or, more accurately: animate yourself away from us in an unending loop.) There’s a new Oxford Dictionaries word of the year. Enter, “selfie,” a word of Australian origin that describes an ostensibly new “digital affair, [that’s actually] a novel iteration of an old form: the self-portrait.” (They even come with overarching themes of mortality.)
"I wanted to offer my students an alternative to the purely confessional mode. I wanted them to write about themselves without falling into a paralyzingly portentous tone. I wanted more humor in their work, more complexity, more detail, more balance—more good writing. I wanted fewer italicized passages, less use of the breathless present tense. I wanted no more tears in the workshop, no more embarrassing scenes." Emily Fox Gordon writes about trauma narratives in the classroom, the trouble with writing as therapy, and the key differences between confessing and confiding in an essay for The American Scholar.
A lot is written about artists just starting their careers, and about those artists with a lifetime of work to look back over, but in a piece for The Enemy Barry Schwabasky considers the difficulty of being somewhere in the middle of an artistic career. After all, "most artists do, for better or worse, live through what’s come to be known as their midcareer. It’s just that they don’t often do so with ease. ... The middle of the journey sometimes seems to be all about losing the way."
Recommended Reading: Mary Addison Hackett reflects on heroin and harm reduction at n+1. “It is clear that no one — no neuroscientist, psychologist, psychiatrist, or physician — can explain what addiction is or account for its contradictions. Tobacco, cocaine, heroin, alcohol, MDMA, amphetamines — are they inherently addictive? Common knowledge suggests they are. But all around me I see exceptions more than the rule, my friends who use, have used, some or all of these drugs, including heroin, casually. I, too, am one of the exceptions.”