In 2006, Gene Luen Yang became the first graphic novelist to be nominated for a National Book Award. Yang earned a nomination in the Young People’s Literature category for the graphic novel American Born Chinese. Now Yang has been nominated a second time, again in the Young People’s Literature category, for a new book, Boxers and Saints. Francoise Mouly and Mina Kaneko talk with Yang at Page-Turner. (You can also read our interview.)
n+1 provides a fascinating study of today’s divisive concept of cultural elitism: “Today, though, it’s the bearers of culture rather than the wielders of power who are taxed with elitism. If the term is applied to powerful people, this is strictly for cultural reasons, as the different reputations of the identically powerful Obama and Bush attest. No one would think to call a foul-mouthed four-star general an elitist, even though he commands an army, any more than the term would cover a private equity titan who hires Rod Stewart to serenade his 60th birthday party.”
RIP Günter Grass, who passed away in a hospital in Lübeck, Germany this morning at the age of 87. Grass, who won the Nobel in 1999, achieved fame upon publication of his debut novel, The Tin Drum. For more on the author’s life, you can read Ranbir Sadhu’s review of his memoir.
Scholars estimate that since T.S. Eliot’s death in 1965, “roughly 90 percent of his prose has been out of print and unavailable to literary scholars.” That will change this year with the publication of the first volume in Ronald Schuchard’s eight-volume work, The Complete Prose of T.S. Eliot.
“One thing that could have made this story end differently is if the United States had a significant cultural policy. We have a trade policy – we protect industries we value – and we have an anti-trust policy designed to protect consumers. We have arts and humanities endowments that assist institutions. But our cultural policy is mostly to let culture fend for itself in the open market. It works great, but sometimes it doesn’t.” Salon looks at what Amazon, the Penguin-Random House merger, and the imposition of capitalism to culture might mean for literature at large.