In 2006, Gene Luen Yang became the first graphic novelist to be nominated for a National Book Award. Yang earned a nomination in the Young People’s Literature category for the graphic novel American Born Chinese. Now Yang has been nominated a second time, again in the Young People’s Literature category, for a new book, Boxers and Saints. Francoise Mouly and Mina Kaneko talk with Yang at Page-Turner. (You can also read our interview.)
The novelist Julie Schumacher wrote her latest, Dear Committee Members, entirely in the form of letters of recommendation. The format allowed her to illustrate the travails of a creative writing professor through a medium often ignored in fiction. At The Awl, Jessica Gross and Merve Emre talk about the novel. Pair with: Cathy Day on academia’s novel crisis.
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.” NPR reminds us of this great quote from Haruki Murakami before rounding up its five favorite books in translation for 2016, including Yoko Tawada‘s Memoirs of a Polar Bear (originally published in German) and The Clouds by Juan José Saer. And from our archives: translator Alison Anderson on “Ferrante Fever” and what a great translation adds to the original work.
Wes Anderson’s latest movie sparked a minor literary revival after it came out that much of it was based on the works of Stefan Zweig. Jason Diamond argued that Zweig may finally be getting the due he deserves in America. At the LARB, Tara Isabella Burton reads the author’s collected stories.
“Ms. Hazzard’s fiction is dense with meaning, subtle in implication and tense in plot, often with disaster looming: A shipwreck tears away the parents of tiny children. A man who has waited a lifetime for a woman loses her at the last moment.” Novelist Shirley Hazzard, whose several books – including The Transit of Venus and the National Book Award-winning The Great Fire – received much acclaim, has died at 85, reports The New York Times. Also worth reading, her “Art of Fiction” interview with The Paris Review from 2005.