Readers of The Neal Pollack Anthology of American Literature most likely have a good idea of just how much the late Norman Mailer was a wellspring of jokes about writers. The pugilistic novelist, journalist and failed mayoral candidate did choose to title a collection of his work Advertisements for Myself, after all. Yet as Andrew O’Hagan notes in the LRB, it’s hard not to admire the cojones on a guy who once told a prominent editor he was “still too young and too arrogant to care to write the kind of high-grade horseshit you print in Harper’s Bazaar.”
Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”
Recommended recommendations: The Airship has rounded up the best recent additions to Project Gutenberg, the online collection of free digitized books.
“We editors told ourselves the naked women were merely carnival barkers: they got an audience into the tent, but we kept them with the content.” In the Guardian, Playboy‘s former fiction editor Amy Grace Loyd reveals what it was like to work at the magazine and how she commissioned work from writers like Donna Tartt, Margaret Atwood, and Junot Díaz. Read our review of Loyd’s debut novel, The Affairs of Others.
For 50 years, The New York Review of Books has written some of the best headlines in the business. Matthew Howard rounds up every headline. Our favorites include: “Don’t Sing Your Crap,” “How Unpleasant to Meet Mr. Baudelaire!“, “Welcome to New Dork,” “It’s Your Fault, Henry James,” and “Portrait of the Artist as a Paradox.”
Our favorite teenage misfit couple is coming to the big screen. Dreamworks will adapt Eleanor & Park with Rainbow Rowell writing the script. Filming doesn’t begin until 2015, so you have plenty of time to read the book. Here’s our own Janet Potter’s review.
Between the 40 Towns project organized by Jeff Sharlet’s Dartmouth students and the newly unveiled Vanishing Point project from Duncan Murrell’s students at Duke’s Center for Documentary Studies, it seems abundantly clear that college students are better at putting together web publications than 99% of established publishing outfits. Begin your tour with Christine Delp’s look at a blind man who makes his own martinis, and then check out other stories such as Ge Jin’s photographic essay on Chinese university students.