Terrible sex writing spans the globe according to this year’s Bad Sex Award shortlist. It includes: My Education by Susan Choi, The Last Banquet by Jonathan Grimwood, House of Earth by Woody Guthrie, Motherland by William Nicholson, The Victoria System by Eric Reinhardt, The World Was All Before Them by Matthew Reynolds, The City of Devi by Manil Suri, and Secrecy by Rupert Thomson. The winner will be announced on December 3.
Looking for a way to spice up your short story? Add a ghost. “This is going to sound strange, but what your story really needs is a ghost,” Lorrie Moore said in an interview with The New York Times. She discussed her new professorship at Vanderbilt and her new short story collection, Bark, which, yes, does contain a ghost story.
Last week in the LRB, Christian Lorentzen used a review of Dear Life to slam the critical consensus surrounding Alice Munro. At Salon, Kyle Minor defends the author, who he thinks “demonstrates that the short story can operate out of a formal dexterity no less expansive in its possibility than the novel’s.”
In the sixties, when he was a student at Cambridge, Stephen Greenblatt came across a book of Persian art. The book inspired a lifelong interest in the region, which in part explains why, after the University of Tehran invited him to give the keynote address at the first annual Iranian Shakespeare Congress, he packed his bags and headed over to the Middle East. In The New York Review of Books, the Harvard professor and Swerve author writes about his experience.
It goes without saying that Hitler is a taboo subject in Germany, which is why it’s remarkable that a German novelist, Timur Vermes, has caused a sensation with his book about a time-travelling Fuhrer. In the Times, Janet Maslin reviews the first English translation of Look Who’s Back. You could also read Merve Emre on Ben Urwand’s book about Hollywood and the Nazis.