Terrible sex writing spans the globe according to this year’s Bad Sex Award shortlist. It includes: My Education by Susan Choi, The Last Banquet by Jonathan Grimwood, House of Earth by Woody Guthrie, Motherland by William Nicholson, The Victoria System by Eric Reinhardt, The World Was All Before Them by Matthew Reynolds, The City of Devi by Manil Suri, and Secrecy by Rupert Thomson. The winner will be announced on December 3.
As part of their 80th anniversary celebration, the Academy of American Poets recently revamped their website. The updated website now boasts such features as “geographically relevant information (such as local poetry events),” “interviews with renowned poets,” and “free lesson plans tailored for K-12 teachers.” Go take a look for yourself. I recommend starting with Sally Van Doren’s poem, “Thief.”
Why do we strain ourselves to apply scientific methods to the humanities, when the results of such studies always miss the point, asks Maria Konnikova. For those looking to do some field research on the fruits of the growing digital humanities movement before condemning them, the latest issue of the Journal of Digital Humanities is packed with interesting (and chart-filled) reads.
“The problem, however, lies in the fact that, whenever these labels are internalized by those in positions of power, they flatten a writer’s experiences. They shrink someone to just a sliver of his or her identity.” On the limited opportunities for writers of color.
Accusations of plagiarism – the real kind, which is not to be confused with “self-plagiarism” – just keep following Turkish writer Elif Şafak, don’t they? Lydia Kiesling previously reported on the fiasco around her book Iskender last August, but now more allegations are surrounding the cover art on Şafak’s latest novel, Şemspare.