Happy Hunger Games! To celebrate the release of Catching Fire, read Ben Blatt’s textual analysis of the most popular adverbs, adjectives, and sentences used by Suzanne Collins in The Hunger Games trilogy, Stephenie Meyer in Twilight, and J.K. Rowling in the Harry Potter series. Unsurprisingly, the most popular sentence in Twilight is, “I sighed.” We’re sighing, too. Pair with: Our essay on how teen fantasy heroines need to grow up.
Hunger Games Madlibs
Tuesday New Release Day: Moore, Danticat, Wright, Loyd
Out this week: The Novel: An Alternative History by Steven Moore; Claire of the Sea Light by Edwidge Danticat; F, a new book of poems by Franz Wright; and The Affairs of Others by Amy Grace Loyd, which Katie Rogin reviewed for us last week. For more on these and other interesting titles, go read our Great Second-Half 2013 Book Preview.
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Literary Culture in Boston
Boston has announced the country’s first “Literary Culture District,” marked by memorials to Edgar Allen Poe and Sylvia Plath. It also includes some arguably less interesting sites – the buildings that used to house The Atlantic Monthly and Little, Brown and Company, for example. Caroline O’Donovan writes critically about the new district for The Baffler and concludes that “we’ve allowed glib cultural ideals to occlude economic realities, and tourism tax dollars to triumph over a candid conversation about the origins of art and the sustainability of its production.”
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Not for Everyone
Ultra-niche magazines operate a bit differently than their larger and more mainstream cousins. Magazines like Donkey Talk, which caters exclusively to donkey hobbyists, aim for tiny audiences of a few hundred to a few thousand readers. They also cultivate their own jargon — one magazine, The Mountain Astrologer, tosses the word “quincunx” around as casually as “email.”
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The Rise of Annotated Literature
Recommended Reading: On how Martin Gardner’s The Annotated Alice paved the way for the modern trend of literary annotation.
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Wrecked Modern Romance
“[Virginie] Despentes has become a kind of cult hero, a patron saint to invisible women: the monstrous and marginalized, the sodden, weary and wildly unemployable, the kind of woman who can scarcely be propped up let alone persuaded to lean in.” On Virginie Despentes’s Bye Bye Blondie and French feminist pulp that pulls no punches.
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