Possibly inspired by YiR alum Elizabeth McCracken, who tweeted out tips for applying to MFA programs last week, Zak Smith (the man who painted every single page of Gravity’s Rainbow) tweeted a series of tips for aspiring art critics. Among other advice, he dictates to his tweeps: “If Andy Warhol could have made it, do not write about it.”
“Hey, I noticed you checking out my tote bag. I’m sure you see a lot of totes on the train, all about food co-ops or public radio or theater repertory companies. But me, I use this expanse of unbleached cotton-canvas blend to say one thing: I love books.”
Paris Review editor Lorin Stein was interviewed for Days of Yore. Topics include: the “perverse power” of editing your parents’ work; his rise through the ranks of NYC publishing; and the new story collection, Object Lessons. Elsewhere you can check out his “five favorite short story collections.” And, in case you missed it, be sure to check out our own Bill Morris’s interview with Paris Review deputy editor Sadie Stein (no relation) about the Object Lessons collection as well.
In the June Atlantic, William Deresiewicz revisits that old favorite subject, the past and future of the Great American novel, in a review of two new books about the history of novels: The Dream of the Great American Novel by Laurence Buell and The Novel: A Biography by Michael Schmidt. (Dizzy yet? If not, consider nine other experts’ opinions on the Great American Novel here at The Millions, for a round dozen.)
“I think the key to social media for authors is remembering this: its main purpose is really to show that you are a real human being who lives in this world.” Year in Reading alums (respectively) Celeste Ng, Alexander Chee, Roxane Gay, and Adam M. Grant talk to LitHub about how to be a writer on the internet.