Possibly inspired by YiR alum Elizabeth McCracken, who tweeted out tips for applying to MFA programs last week, Zak Smith (the man who painted every single page of Gravity’s Rainbow) tweeted a series of tips for aspiring art critics. Among other advice, he dictates to his tweeps: “If Andy Warhol could have made it, do not write about it.”
How to Write about Art
Waxwing Debuts
Waxwing, a new literary journal, has published its first issue online. The journal’s editors state that their mission is “to include American writers from all cultural identities — in terms of race, ethnicity, indigenous tribe, gender, class, sexuality, age, education, ability, language, religion, and region — alongside international voices, published bilingually.”
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“I have always wondered.”
John Jeremiah Sullivan’s “Diary” for the Financial Times features the Mars Curiosity, Quaker school songs, and all sorts of family bonding.
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Lolita Covered
The contest to design a new cover for Lolita that we noted in August has named some winners.
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SRSLY PHENOMENAL
We live in a truly marvelous time. By that, of course, I mean we live in an age when students at the London School of Economics can hand in 98-page (PDF) dissertations about LOLCats.
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Seduction Through Literature
At The Paris Review Daily, Sarah Fay ruminates on her questionable practice of using literature to seduce men: “Wasn’t I just trying to bribe men hungry for something to read? … How could I deliver book recommendations for an entire marriage?”
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Poetry Is Politics, Politics Is Poetry
Citizen author Claudia Rankine spoke about racial tokenism in MFA workshops in her AWP keynote speech last week. As she puts it, “The white students aren’t being challenged to think harder about the assumptions they are making in workshop.”
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Poetry Wounds
“Ocean Vuong is that rare architect of accommodation, giving the most precarious situations or embarrassing of grievances of our culture a sound environment in which they can thrive. As he kisses and tucks the parents in their beds, he sets out from the wreckage of his past towards a hard-won horizon of blunder and wonderment.” Jeff Nguyen reviews Vuong’s newest poetry collection, Night Sky With Exit Wounds.
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