Koa Beck’s father gave her a copy of Erica Jong’s Fear of Flying when she was 15 years old. Depending on your persuasion, this was either a brilliant idea or an awful parental blunder. Regardless, Beck says the book (aided by The Bell Jar and Diary of a Mad Housewife) helped her understand that “the game was rigged, that everyone was lying, [and] that there was so much more to being a woman than what society said there was.”
Crash Course
Ursula K. Le Guin (1929-2018)
Ursula K. Le Guin has died at the age of 88, according to the New York Times and Le Guin’s family. The prolific science fiction and fantasy writer — best known for her Earthsea series and The Left Hand of Darkness — explored themes like politics, gender, religion, and environmentalism. However, Le Guin wrote across genre and published over 20 novels, 100 short stories, 7 essay collections, 13 children’s books, 5 volumes of translation, and a writer’s guide. No stranger to awards, Le Guin most recently won the 2017 Hugo Award for Best Related Work for Words Are My Matter: Writings About Life and Books, 2000-2016. From our archives: The Millions interview with Le Guin from 2013.
That Moment When
“I can still remember with complete clarity the way I felt when whatever it was came fluttering down into my hands that day 30 years ago on the grass behind the outfield fence at Jingu Stadium; and I recall just as clearly the warmth of the wounded pigeon I picked up in those same hands that spring afternoon a year later, near Sendagaya Elementary School. I always call up those sensations whenever I think about what it means to write a novel.” Haruki Murakami on “The Moment [He] Became a Novelist,” excerpted on Lit Hub from the new double edition of his first novels, Wind/Pinball.
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The Task of the Translators
Pevear and Volokhonsky (first names no longer needed, really…like Madonna or Cher) rap with The Wall Street Journal about their luminous (dare we say definitive?) new translation of Tolstoy‘s The Death of Ivan Ilyich and Other Stories.
Sehgal and Adichie in Conversation
In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.
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