When The Beatles made Rubber Soul, the band probably didn’t realize it would inspire some of the greatest contemporary fiction. First, Haruki Murakami named his novel Norwegian Wood. Now, “Drive My Car” inspired his new short story. Bungeishunju published the story today, but English readers are still waiting on the translation. Until then, we can always listen to the album. Pair with: Our essay on the soundtracks behind books.
“Like all great literature, [David Foster Wallace’s] books do many things at once. Litchat, however, is singleminded.” Laura Miller discusses “the perils of litchat” at The New Yorker and how it has affected the legacy of David Foster Wallace. For less litchat, read our review of The David Foster Wallace Reader.
“The rest of her speech to the U.N. that day is an exact outline for what she wanted the rest of the Parable books to be about — a way out that she did not live to write herself.” For Electric Literature, Kristopher Jansma explores the unwritten Parable books of acclaimed sci-fi author Octavia Butler. Pair with our consideration of Butler’s novel Kindred.
It’s come to this. Since it first emerged, the @horse_ebooks Twitter feed has been alternately obsessed over and totally ignored for its ersatz Dadaism. Now a group of intrepid fans have begun writing fan fiction dedicated to its enigmatic writing prompts.
New York Times travel editor Monica Drake recounts visiting Antigua after reading Jamaica Kincaid’s A Small Place—a sharp critique of tourism and the colonialist narrative around the island. As she puts it, “For all the drama of its history, […] the beauty of the place, the very thing that bewitches its tourists, renders it a time capsule to its residents.”
South Floridian bandits, fishermen, drunks, madmen, and college students are mourning the imminent demise of beloved Miami institution, Jimbo’s. The site of the “Who Lets The Dogs Out” video, the Flipper movie starring Elijah Wood, and a couple iterations of the now-defunct Swampstomp music festival, Jimbo’s defied summation. Put simply, you had to see it yourself. The way I always explained it to my friends up North was by telling them it was like The Rum Diary met CBGB’s and Will Smith’s “Miami” video. Still, even that’s insufficient, so I recommend reading the Miami New Times‘ epic chronicle of the place’s history.