Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. “The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life.”
Antebellum YA
On DFW, On Blogging
Practically everyone read Maud Newton‘s riff on David Foster Wallace‘s influence this weekend, but Edward Champion had some issues with it.
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Nobel Odds
Bob Dylan is a 25-1 dark horse, while Peter Handke looks good at 201-1; place your bets now. (via GalleyCat)
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Thank You, Scratch That
If you’ve ever been asked to write a thank-you note, you know that, paradoxically, it can be one of the hardest forms of writing to do well. In light of that, The Morning News has kindly republished their classic guide to writing thank-you notes, written by Leslie Harpold. Sample quote: “If you want to know when you get a genuine pass on writing a note, the litmus test is simple: Do I live under the same roof as the giver?”
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What Labor Is
Over at Slate, Pamela Erens explores how descriptions of childbirth have disappeared from contemporary novels. Also check out Claire Cameron’s Millions interview with the author and Martha Anne Toll’s review of Erens’s new novel, Eleven Hours.
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Recommended Reading: Outkast Edition
Recommended Reading: Bomani Jones’s essay on Outkast’s ATLiens, his first car, and the way things from your past just seem different as the years go by.
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Browne’s Guide to Science Writing
Want to write about science? Let Sir Thomas Browne, “17th-century know-it-all,” show you how.
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Writing Without Reading
Buzz Poole expands Macy Halford‘s riff on the consequences of writing without reading. In the process, he refers back to last month’s popular piece here at The Millions by Steve Himmer.