Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. “The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life.”
“If we are now relentlessly connected, every marginal identity gaining collective recognition, becoming assimilated, ever more rapidly? If that is where we stand, then something like a stubbornly solitary voice may be welcome, even necessary, telling us that what it means to be human—and what may keep us human—is to feel alone in a strange room, with our seclusion the thing that defines and can save us.” On bearing witness to the spectacle of aloneness and the fiction of empathy.
“Did not really sleep: no Xanax / yesterday, which means I won’t sleep, / then the next night is usually OK, / Xanax or no. It’s Christmas Eve / in Spain, the important day. We’ll / break Dorota’s wafer. My mood / is less good than yesterday when / I would call it ‘normal’.” A few new poems by Kathryn Maris at 3:AM Magazine.
Ben Parker has published a review in The Los Angeles Review of Books of Karl Ove Knausgaard’s My Struggle: Book Four, which was recently translated by Don Bartlett. Read Knausgaard’s thoughts on repetition and its reflections in the natural world at The Millions.
In her new book, Hard-Core Romance, Eva Illouz has published the first serious, book-length academic analysis of the Fifty Shades of Grey. The critically-panned Fifty Shades trilogy, originally a Twilight fan fiction, has sold 32 million copies in the US so far. At The New Republic, William Giraldi seizes the opportunity for a brutal send-up of author E. L. James and the “dreck” she represents. “At least people are reading,” he writes, “You’ve no doubt heard that before. But we don’t say of the diabetic obese, At least people are eating.” Pair with The Millions’ essay on literary predecessors in published fan fiction.
My “10 Best Songs Based on Books” list, from yesterday’s Observer (UK), is up on the Guardian’s website. Obviously it’s not so much the 10 Best as the 10 Best I could think of while writing the list, but that kind of equivocation makes for terribly unsnappy titles.