Out this week: The Goldfinch by Donna Tartt (who Angela Qian wrote about for The Millions in September); We Are Water by Wally Lamb; Aimless Love: New and Selected Poems by Billy Collins; Roth Unbound: A Writer and His Books by Claudia Roth Pierpont; and The Eternal Wonder, a recently discovered novel by Nobel laureate Pearl S. Buck. For more on these and other new books, check out our Great Second-half 2013 Book Preview.
Tuesday New Release Day: Tartt, Lamb, Collins, Pierpont, Buck
Who Reviews the Reviewers?
Our own Lydia Kiesling discusses James Wood’s literary “lodestars,” and also looks at “what is fascinating, if not exactly fun” about The Fun Stuff, the critic’s latest essay collection.
●
●
at once impressionistic and profound
Rohan Maitzen on Virginia Woolf‘s literary criticism: “What—I can imagine her asking herself, as she writes about other novelists—am I doing, what else can I do, with the novel? Surely figuring this out was always, for her, the underlying project of her criticism.”
A Legitimate Scandal
Every writer’s nightmare: plagiarism. If you tuned in to Melania Trump’s RNC speech, you may have noticed something familiar… Some of her lines were plagiarized from Michelle Obama’s 2008 DNC speech.
●
●
The State of Reading (in the Bath?)
Hannah Withers and Lauren Ross have written about today’s state of publishing for McSweeney’s. Their conclusion? Young people read more than you. According to Laura Goode, though, moms are reading more YA novels than their kids. Either way, everyone can start reading in the bathtub thanks to waterproof paperbacks.
●
●
Lupita Nyong’o + Chimamanda Ngozi Adichie + ‘Americanah’
In book-to-film news, Lupita Nyong’o has signed on to produce and star in an adaptation of Chimamanda Ngozi Adichie‘s novel Americanah, and we couldn’t be more excited. For more from Adichie, be sure to check out her “Year in Reading” piece for The Millions.
Contested Accounts
After reading through two new biographies of Sylvia Plath — American Isis and Mad Girl’s Love Song — Terry Castle concludes that “nothing about her life or legacy seems wholesome or resolved.” (Related: our own Hannah Gersen talking with Pain, Parties, Work author Elizabeth Winder.)