Vintage International released Cormac McCarthy’s screenplay for The Counselor, the new Ridley Scott film which our own Nick Moran wrote about on Saturday. Also out: Quiet Dell by Jayne Anne Phillips; Identical by Scott Turow; The Last Animal by Abby Geni and The Luminaries by Booker Prize shortlister Eleanor Catton, which Martha Anne Toll reviewed for us on Monday. (For more on these and other new titles, go read our Great Second-half 2013 Book Preview.)
Recommended Viewing: Photographer Alec Soth and writer Brad Zellar’s LBM Dispatch, “an irregularly published newspaper of the North American ramblings.” The New Yorker has a gallery of 14 of Soth’s haunting photos that capture the fleeting spirit of America.
Lucy Madison asks how the 25 National Magazine Award nominations went to 25 male writers and discovers it may be because fewer women write long-form journalism, “particularly at those publications that tend to get nominated for National Magazine Awards.”
“The way Vermeer painted this wall is consistent with a photograph. It is not consistent with human vision.” In a fascinating new documentary by Penn and Teller, a digital-graphics artist spent five years building a lens, a room, and a harpsichord to figure out how.
“I think people always expect artists to have a larger understanding of the issues they write about. People have looked to writers and artists forever and asked them to be cultural commentators or political commentators, which can be very scary because I can only speak to my own perspective, and I’m figuring this out along with everybody else. I’m not even sure I’m the best person to talk about it, whatever it is, but I’m someone who can and does.” Electric Literature talks with Sarah Gerard about her debut novel Binary Star, which we reviewed here.