Writers are told that they should outline their work. Elizabeth Gilbert has outdone us all by writing a 70-page outline for The Signature of All Things. “I have no German Romantic idea about work. There’s no fugue state, you know? I could no more write at 3 a.m. than I could with a quill pen. I keep farmer’s hours and I have that sort of plotting and plodding way,” she told The Daily Beast.
“On the other hand, I do spend endless hours mulling over the mystery of what others like. Again and again the question arises: How can they?” Tim Parks asks us why we enjoy reading what we read at The New York Review of Books. For Millions readers’ favorites, check out October’s Top 10.
The New York Times best-selling author Malcolm Gladwell recognizes that printed books can be beautiful, covetable objects that enhance the experience of reading. He hired Brian Rea, a frequent Times Magazine illustrator, and Paul Sahre, a designer who also frequently contributes to the magazine, to collaborate on the visuals for a new box set, Malcolm Gladwell: Collected.
The New Yorker announced that their literary blog, The Book Bench, will henceforth be called Page-Turner. The name change signals a “building on the work of the Book Bench blog, and expanding on it.” In an inaugural post, Ryan Bloom translates the deceptively simple first line of The Stranger.
Paula Fox, celebrated novelist and winner of the 1983 National Book Award (among other honors), died this week. Contributing to our Year in Reading series two years ago, Parul Sehgal said she couldn’t stop rereading Desperate Characters, perhaps Fox’s most popular book for adults. “It’s really a wallop of a book,” Sehgal wrote. “A barbed portrait of a marriage, not to mention a brilliant take on gentrification, white fears of black and brown people, the hostile insularity of the nuclear family, and how power reproduces and how power conceals itself.” (Bonus: Dominic Smith wants to send a scene from that novel into space.)